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Grotesque Collection

"Exploring the Grotesque: A Journey through Art, History

Background imageGrotesque Collection: Cartoons featuring William Marcy Boss Tweed, James Ingersoll and George Miller

Cartoons featuring William Marcy Boss Tweed, James Ingersoll and George Miller
XJF265588 Cartoons featuring William Marcy Boss Tweed, James Ingersoll and George Miller, from Harpers Weekly, 19th August, 1872 (engraving) (b/w photo) by Nast

Background imageGrotesque Collection: Religion / Egypt / Bes

Religion / Egypt / Bes
Dwarf-god who, for all his grotesque appearance, is actually benevolent : his role is to protect women through the risks of childbirth

Background imageGrotesque Collection: The Lawyers Office, 1545. Artist: Reymerswaele, Marinus Claesz, van (ca. 1490-after 1567)

The Lawyers Office, 1545. Artist: Reymerswaele, Marinus Claesz, van (ca. 1490-after 1567)
The Lawyers Office, 1545. Found in the collection of the New Orleans Museum of Art

Background imageGrotesque Collection: David Garrick with William Burton and John Palmer in The Alchemist by Ben Jonson

David Garrick with William Burton and John Palmer in The Alchemist by Ben Jonson
XTD75472 David Garrick with William Burton and John Palmer in The Alchemist by Ben Jonson, 1770 by Zoffany, Johann (1733-1810); 104x99 cm; Private Collection; English, out of copyright

Background imageGrotesque Collection: Deathly Diners

Deathly Diners
Six skeletons smoking around the dinner table, circa 1865. (Photo by London Stereoscopic Company/Hulton Archive/Getty Images)

Background imageGrotesque Collection: The Strife of Lent with Shrovetide, c. 1550, by Pieter Bruegh

The Strife of Lent with Shrovetide, c. 1550, by Pieter Bruegh
Pieter Brueghel the Elder (c.1525-1569). Flemish painter. The Strife of Lent with Shrovetide, c.1550. National Museum of Denmark. Copenhagen. Denmark

Background imageGrotesque Collection: Shrunken Heads

Shrunken Heads
19th August 1925: Three specimen of shrunken heads all with long hair, prepared by the Macas Indians. (Photo by Kirby/Topical Press Agency/Getty Images)

Background imageGrotesque Collection: EyeUbiquitous_20107158

EyeUbiquitous_20107158
England, Oxfordshire, Oxford, A decorative gargoyle used to drain water from a roof at Trinity College

Background imageGrotesque Collection: De l utilite de la crinoline pour frauder l octroi (On the usefulness of the

De l utilite de la crinoline pour frauder l octroi (On the usefulness of the crinoline to smugglers), 1857. Private Collection

Background imageGrotesque Collection: The Temptation of St. Anthony, 17th century (engraving) (b / w photo)

The Temptation of St. Anthony, 17th century (engraving) (b / w photo)
XIR163461 The Temptation of St. Anthony, 17th century (engraving) (b/w photo) by Callot, Jacques (1592-1635); Musee Historique Lorrain, Nancy, France

Background imageGrotesque Collection: Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in

Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
NCO191733 Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1801 (hand-coloured etching) by North

Background imageGrotesque Collection: DECOUPAGES

DECOUPAGES
Light, shining through cunningly torn paper, casts grotesque shapes on the wall

Background imageGrotesque Collection: Greek Sphinx statue standing on top of a ionic order pillar on a cloudy day in Greece

Greek Sphinx statue standing on top of a ionic order pillar on a cloudy day in Greece SPHINX (Sphinx), a monstrous being of Greek mythology, is said to have been a daughter of Orthus and Chimaera

Background imageGrotesque Collection: A turkey looks around its enclosure at Seven Acres Farm in North Reading, Massachusetts

A turkey looks around its enclosure at Seven Acres Farm in North Reading, Massachusetts, November 24, 2010, one day before the Thanksgiving holiday in the U.S

Background imageGrotesque Collection: A butterfly is seen above the eye of a large crocodile in the Tarcoles River

A butterfly is seen above the eye of a large crocodile in the Tarcoles River, a river with one of the highest crocodile population in the world, in Tarcoles, province of Puntarenas, Costa Rica

Background imageGrotesque Collection: Reves, c. 1894 (litho)

Reves, c. 1894 (litho)
2630775 Reves, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageGrotesque Collection: Knight, Death and the Devil, 1513 (copper plate engraving)

Knight, Death and the Devil, 1513 (copper plate engraving)
BAL168975 Knight, Death and the Devil, 1513 (copper plate engraving) by DAOErer or Duerer, Albrecht (1471-1528); 24.6x18.9 cm; Hungarian National Gallery, Budapest

Background imageGrotesque Collection: Tudor houses on the corner of Chancery Lane

Tudor houses on the corner of Chancery Lane, Fleet Street, 1789. External specimen of the Grotesque Bracketed Front and Projecting Stories of the reign of Edward VI. Demolished 1799

Background imageGrotesque Collection: The Last Trump, from the Wenhaston Doom, c. 1500-20 (painted wood)

The Last Trump, from the Wenhaston Doom, c. 1500-20 (painted wood)
MFI271189 The Last Trump, from the Wenhaston Doom, c.1500-20 (painted wood) by English School, (16th century); St

Background imageGrotesque Collection: The Feast of Bacchus, 1654

The Feast of Bacchus, 1654
HGM81146 The Feast of Bacchus, 1654 by Koninck, Phillips de (1619-88); 71x63 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Dutch, out of copyright

Background imageGrotesque Collection: Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Background imageGrotesque Collection: Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898)

Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr

Background imageGrotesque Collection: Roman metalwork, (1898). Creator: Unknown

Roman metalwork, (1898). Creator: Unknown
Roman metalwork, (1898). Examples of ancient Roman items made of bronze: Fig 1: Fountain-figure, representing a drunken Faun

Background imageGrotesque Collection: Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). Creator: Unknown

Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). Creator: Unknown
Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). 1517-1519...The Loggie were started in the summer of 1517 and are stated as being completed on 4th May, 1519

Background imageGrotesque Collection: The Payment of the Tithes (known as Village Lawyer)

The Payment of the Tithes (known as Village Lawyer), between 1617 and 1622. From a private collection

Background imageGrotesque Collection: Serving Punch, c. 1815-20 (pen & ink and w / c over pencil on paper)

Serving Punch, c. 1815-20 (pen & ink and w / c over pencil on paper)
XYC239818 Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper) by Rowlandson, Thomas (1756-1827); 24.3x35.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageGrotesque Collection: A butterfly flies over a large crocodile in the Tarcoles River

A butterfly flies over a large crocodile in the Tarcoles River, a river with one of the highest crocodile population in the world, in Tarcoles, province of Puntarenas, Costa Rica, July 16, 2019

Background imageGrotesque Collection: Facade sculpture of Church of the Holy Cross (Chiesa di Santa Croce), Lecce, Apulia

Facade sculpture of Church of the Holy Cross (Chiesa di Santa Croce), Lecce, Apulia, Italy

Background imageGrotesque Collection: Villa Palagonia (1710s), Bagheria, Sicily, Italy

Villa Palagonia (1710s), Bagheria, Sicily, Italy

Background imageGrotesque Collection: MS 293b

MS 293b
Illuminated manuscript cutting. Collage with historiated initial and border from a Choir Psalter. Maker & Production: Avila. Illumination, parchment and gold, circa 1482- circa 1492

Background imageGrotesque Collection: The Maqui Festival in Annam (Vietnam), 1907 (colour litho)

The Maqui Festival in Annam (Vietnam), 1907 (colour litho)
473488 The Maqui Festival in Annam (Vietnam), 1907 (colour litho) by European School

Background imageGrotesque Collection: Fishing Party on Long Island Sound Off New Rochelle, 1847. Creator: James Goodwyn Clonney

Fishing Party on Long Island Sound Off New Rochelle, 1847. Creator: James Goodwyn Clonney
Fishing Party on Long Island Sound Off New Rochelle, 1847

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305237 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305198 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305197 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305332 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305330 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305290 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305249 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: Craft: the dress of a tavernier or sommelier

Craft: the dress of a tavernier or sommelier
FGL5462767 Craft: the dress of a tavernier or sommelier. Engraving by Nicolas De Larmessin dalla series " Grotesque Costumes " or "Les Habits des Trades et Professions"

Background imageGrotesque Collection: Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci

Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci
FGL5485821 Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci, 18th century.; Fototeca Gilardi

Background imageGrotesque Collection: Scenes of Witchcraft: Night, c.1645-49 (oil on canvas)

Scenes of Witchcraft: Night, c.1645-49 (oil on canvas)
XOS5879304 Scenes of Witchcraft: Night, c.1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH, USA; (add.info.: Painting by Salvator Rosa In the pitch black of night)

Background imageGrotesque Collection: Grandgousier, father of Gargantua, 19th century (engraving)

Grandgousier, father of Gargantua, 19th century (engraving)
2102117 Grandgousier, father of Gargantua, 19th century (engraving); (add.info.: Literature. "Grandgousier, father of Gargantua". Monster. Pot shaped body)

Background imageGrotesque Collection: Monster, 19th century (engraving)

Monster, 19th century (engraving)
2102134 Monster, 19th century (engraving); (add.info.: Literature. Monster. Barrel shaped body)

Background imageGrotesque Collection: Picrochole, 19th century (engraving)

Picrochole, 19th century (engraving)
2102132 Picrochole, 19th century (engraving); (add.info.: Literature. "Picrochole". Monster)

Background imageGrotesque Collection: The Inquisition, 19th century (engraving)

The Inquisition, 19th century (engraving)
2102129 The Inquisition, 19th century (engraving); (add.info.: Literature. "The Inquisition". Monster. Tambourine shaped body charlatan)

Background imageGrotesque Collection: Monster, 19th century (engraving)

Monster, 19th century (engraving)
2102127 Monster, 19th century (engraving); (add.info.: Literature. Monster. Belly shaped head)

Background imageGrotesque Collection: Henry Cotyral, 19th century (engraving)

Henry Cotyral, 19th century (engraving)
2102120 Henry Cotyral, 19th century (engraving); (add.info.: Literature. "Henry Cotyral". Monster. Tambourine shaped body charlatan)

Background imageGrotesque Collection: Pantagruel, 19th century (engraving)

Pantagruel, 19th century (engraving)
2102118 Pantagruel, 19th century (engraving); (add.info.: Literature. "Pantagruel". Monster. Long hears, long nose)

Background imageGrotesque Collection: Caricature: group of faces with ridiculous and grotesque expressions

Caricature: group of faces with ridiculous and grotesque expressions
FGL5497834 Caricature: group of faces with ridiculous and grotesque expressions, lithograph inspired by Boilly.; Fototeca Gilardi

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305325 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305266 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305252 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305234 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305215 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305201 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305191 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: Craft: the coat of the cooper

Craft: the coat of the cooper
FGL5462790 Craft: the coat of the cooper. Engraving by Nicolas De Larmessin from the series " Grotesque Costumes " or " Les Habits des Trades et Professions "

Background imageGrotesque Collection: Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci

Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci
FGL5485850 Monstrous couple. Grotesque caricature by Carlo Lasinio (1759-1838) based on a series of drawings by Leonardo Da Vinci, 18th century.; Fototeca Gilardi

Background imageGrotesque Collection: Cartoon commenting on the grotesque effect of a pitch helmet

Cartoon commenting on the grotesque effect of a pitch helmet
5308698 Cartoon commenting on the grotesque effect of a pitch helmet, sun goggles and puttees, 19th century; (add.info.: Cartoon commenting on the grotesque effect of a pitch helmet)

Background imageGrotesque Collection: Temptation of St Anthony, 1688 (pen and faded brown ink with grey wash)

Temptation of St Anthony, 1688 (pen and faded brown ink with grey wash)
7308228 Temptation of St Anthony, 1688 (pen and faded brown ink with grey wash, with some black ink on paper); 20.6x37.3 cm; Ashmolean Museum, University of Oxford

Background imageGrotesque Collection: Two grotesque figures - Carved capiteau du portal de la eglise Sainte Marie (11th century)

Two grotesque figures - Carved capiteau du portal de la eglise Sainte Marie (11th century)
JEB4940221 Two grotesque figures - Carved capiteau du portal de la eglise Sainte Marie (11th century) a Oloron Sainte Marie (Pyrenees Atlantiques)

Background imageGrotesque Collection: Italian street pantomime artist in grotesque wig

Italian street pantomime artist in grotesque wig
FLO4677342 Italian street pantomime artist in grotesque wig, playing a bizarre one-string violin with balloon. " This young Italian man with black eyes excels at terrible grimaces

Background imageGrotesque Collection: Dependency has war (The bone of all the dead)

Dependency has war (The bone of all the dead)
FLO4675674 Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305272 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305240 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305229 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: Monster, 19th century (engraving)

Monster, 19th century (engraving)
2102137 Monster, 19th century (engraving); (add.info.: Literature. Monster)

Background imageGrotesque Collection: Jules II, Pope, 19th century (engraving)

Jules II, Pope, 19th century (engraving)
2102133 Jules II, Pope, 19th century (engraving); (add.info.: Literature. "Jules II, Pope". Monster. Tower shaped body)

Background imageGrotesque Collection: Scenes of Witchcraft: Day, c. 1645-49 (oil on canvas)

Scenes of Witchcraft: Day, c. 1645-49 (oil on canvas)
XOS5879300 Scenes of Witchcraft: Day, c

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305269 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305259 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: 17th century engraved illustration from a collection of proverbs

17th century engraved illustration from a collection of proverbs
5305247 17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620-1675). French engraver

Background imageGrotesque Collection: Occupation: the garment of vinegar producer

Occupation: the garment of vinegar producer
FGL5462716 Occupation: the garment of vinegar producer. Engraving by Nicolas De Larmessin from the series " Grotesques Costumes " or "Les Habits des Trades et Professions"

Background imageGrotesque Collection: The emblem of the grotesque in the Renaissance (17th century) Italy: The old man between Death and Volupte

The emblem of the grotesque in the Renaissance (17th century) Italy: The old man between Death and Volupte
JAB4119819 The emblem of the grotesque in the Renaissance (17th century) Italy: The old man between Death and Volupte. Engraving by Cesare Reverdino. 1895; Photo ©Jaime Abecasis

Background imageGrotesque Collection: Groucho Marx and Thelam Todd on set of Horse Feathers, 1932 (photo)

Groucho Marx and Thelam Todd on set of Horse Feathers, 1932 (photo)
7422881 Groucho Marx and Thelam Todd on set of Horse Feathers, 1932 (photo); (add.info.: Art. Movie)

Background imageGrotesque Collection: German made game card

German made game card
FGL5489046 German made game card: the valet is represented under the grotesque features of a butcher carrying a lamb from which he extracted his heart. Engraving of 1545; Fototeca Gilardi

Background imageGrotesque Collection: Flat. Faience of great fire. Decor has grotesques in polychromy with dominant green and yellow

Flat. Faience of great fire. Decor has grotesques in polychromy with dominant green and yellow
JEB4960953 Flat. Faience of great fire. Decor has grotesques in polychromy with dominant green and yellow. Factory Olerys-Laugier (Olerys and Laugier), 1740. Faience. Dim: 23x24cm

Background imageGrotesque Collection: Letters X, Y, Z, decorees of grotesque figures and animals, c.1830 (engraving)

Letters X, Y, Z, decorees of grotesque figures and animals, c.1830 (engraving)
DUV4222431 Letters X, Y, Z, decorees of grotesque figures and animals, c.1830 (engraving); 16x12 cm; (add.info.: Alphabet fun. J. Langlume, editor around 1830)

Background imageGrotesque Collection: Three grotesque masks by Italian artist Adamo Scultori (engraving)

Three grotesque masks by Italian artist Adamo Scultori (engraving)
6317518 Three grotesque masks by Italian artist Adamo Scultori (engraving); (add.info.: Three grotesque masks by Italian artist Adamo Scultori, 1530 - 1585, after fellow Italian Giulio Romano)



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"Exploring the Grotesque: A Journey through Art, History, and Curiosities" Step into a world where reality blends with the bizarre as we delve into the realm of grotesque. From political scandals to religious symbolism, this captivating collection of hints takes us on an intriguing journey. Cartoons featuring William Marcy Boss Tweed, James Ingersoll, and George Miller transport us back to a time when corruption ran rampant. These satirical illustrations shed light on the dark underbelly of power. In "The Lawyers Office, " painted by Marinus Claesz van Reymerswaele in 1545, we witness a scene that challenges our perception of justice. The twisted figures and eerie atmosphere leave us questioning what truly lies behind closed doors. Religion intertwines with Egypt's ancient history in depictions of Bes. This deity's peculiar appearance reflects both protection and malevolence—a fascinating blend of beauty and monstrosity. David Garrick alongside William Burton and John Palmer brings Ben Jonson's play "The Alchemist" to life. Their exaggerated expressions highlight the absurdity within human nature—an exploration of greed that borders on grotesque comedy. "The Knight, Death, and the Devil, " an etching from 1513 by an unknown artist, presents a haunting visual narrative. As death looms over a steadfast knight riding through treacherous terrain, we confront mortality's chilling presence. Shrunken heads offer macabre fascination—objects both repulsive yet strangely captivating. They serve as reminders of ancient rituals or gruesome trophies from distant lands—a glimpse into humanity's darker side. Joining these curiosities are "Deathly Diners, " where food becomes sinister in its allure—temptation leading to decay rather than nourishment. Pieter Brueghel’s depiction captures Lent’s struggle against indulgence during Shrovetide—a battle between virtue and excess personified in grotesque imagery.

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