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Mounted Print : Repose on me... plate 62 from Jerusalem the Emmanation of the Great Albion

Repose on me... plate 62 from Jerusalem the Emmanation of the Great Albion



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Repose on me... plate 62 from Jerusalem the Emmanation of the Great Albion

XYC225783 Repose on me... plate 62 from Jerusalem the Emmanation of the Great Albion, 1804-20 (relief etching printed in orange with pen & w/c on paper) by Blake, William (1757-1827); 21x14.9 cm; Yale Center for British Art, Gift of Paul Mellon, USA; English, out of copyright

Media ID 12764640

© www.bridgemanimages.com

Creature Monster Verse


10"x8" Mount with 8"x6" Print

Experience the captivating beauty of William Blake's iconic work with our Mounted Photos from the Media Storehouse range. This exquisite reproduction showcases "Repose on me... plate 62 from Jerusalem the Emmanation of the Great Albion," a masterpiece from Blake's illuminated print, XYC225783. Originally created as a relief etching printed in orange with pen and watercolor on paper in 1804-20, this timeless piece is now available as a high-quality mounted photo. Bring the intricate details and vibrant colors of Blake's art into your home or office and elevate your space with this stunning addition to your collection.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 14.8cm x 20.3cm (5.8" x 8")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


Repose on me. . . plate 62 from Jerusalem the Emmanation of the Great Albion, a captivating print by William Blake

EDITORS COMMENTS
. In this mesmerizing artwork, William Blake invites us into his visionary world through a fusion of poetry and visual art. "Repose on me. . . plate 62 from Jerusalem the Emmanation of the Great Albion" is an enchanting relief etching that transports us to a realm where imagination knows no bounds. At first glance, we are drawn to the intricate details meticulously crafted by Blake's hand. The vibrant orange hues and delicate watercolor accents breathe life into every stroke, evoking a sense of warmth and intensity. As our eyes wander across the composition, we encounter a mysterious creature – part man, part monster – embodying both beauty and darkness simultaneously. Blake's poetic verse accompanies this striking image, further immersing us in his narrative. The words resonate with profound emotion as they explore themes of love, death, and transcendence. It is as if each line dances harmoniously with the imagery before us. This remarkable piece resides within Yale Center for British Art thanks to Paul Mellon's generous gift. Its presence serves as a testament to its enduring significance in British art history. "Repose on me. . . plate 62 from Jerusalem the Emmanation of the Great Albion" captures not only our attention but also our hearts and minds. It reminds us that art has an extraordinary power to transport us beyond reality into realms unknown – where creativity flour

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