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Mounted Print : Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)

Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)



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Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)

XJF448237 Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: No. 57 of a series called Teggs Caricatures ; A satire of the pigeon holes which flanked the upper gallery at the Royal Opera House at Covent Garden; ); English, out of copyright

Media ID 12883466

© www.bridgemanart.com

Audience Convent Covent Garden Grotesque Lunette Opera House Theatre Goers Pigeon Hole


10"x8" Mount with 8"x6" Print

Bring a touch of whimsy and history to your home with Media Storehouse's Mounted Photos featuring the enchanting Pidgeon Hole - A Convent Garden contrivance to coop up the gods, an 1811 engraving by Thomas Rowlandson from Fine Art Finder. This intriguing image, which showcases a quirky garden ornament from the past, is a captivating conversation starter and adds character to any room. With its rich details and classic charm, this mounted photo is a must-have for art enthusiasts and those who appreciate the beauty of history.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 20.3cm x 13.7cm (8" x 5.4")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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Pidgeon Hole - A Covent Garden Contrivance to Coop Up the Gods - An 1811 Satirical Engraving by Thomas Rowlandson

EDITORS COMMENTS
. This intriguing engraving by Thomas Rowlandson, titled "Pidgeon Hole - A Covent Garden Contrivance to Coop Up the Gods" offers a humorous and satirical glimpse into the world of Georgian theater. Part of a series called Teggs Caricatures, this artwork takes aim at the pigeon holes that flanked the upper gallery at the Royal Opera House in Covent Garden. In this grotesque and comical scene, we see a row of exaggerated heads peering out from these pigeon holes. These heads represent members of the audience or "the gods" who occupied these cramped spaces during performances. The artist's intention is clear – to mock and highlight the absurdity of such seating arrangements. Rowlandson's caricature captures both the humor and social commentary prevalent in his work. The cartoonish style adds an element of whimsy while emphasizing the exaggerated features and expressions on each face. Through this visual satire, he invites viewers to reflect on class divisions within society and perhaps even question their own experiences as theater-goers. As we delve into this historical piece, it becomes evident that Rowlandson was not only a skilled artist but also a keen observer of human behavior. His ability to capture moments like these with wit and creativity has made him one of England's most celebrated caricaturists.

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