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Mounted Print : Flying Childers galloping to left: bridled but not saddled (black chalk
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Flying Childers galloping to left: bridled but not saddled (black chalk
XYC250003 Flying Childers galloping to left: bridled but not saddled (black chalk heightened with white) by Seymour, James (1702-52); 18.4x26.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: owned by the 4th Duke of Devonshire; ); English, out of copyright
Media ID 12771054
© www.bridgemanart.com
10"x8" Mount with 8"x6" Print
Experience the thrill of the race with our exquisite mounted photo from the Media Storehouse range. Featuring James Seymour's stunning black chalk drawing of Flying Childers galloping to the left, this piece captures the essence of horse racing in its rawest form. The horse, bridled but not saddled, is in mid-gallop, its muscles taut and powerful. This beautiful artwork, sourced from the Yale Center for British Art, adds a touch of elegance and excitement to any room in your home or office. Order yours today and bring the beauty of equestrian art into your space.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.3cm x 13.9cm (8" x 5.5")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures the sheer power and grace of Flying Childers, a legendary racehorse from the 18th century. In this stunning portrait, created by James Seymour, we see the magnificent steed galloping to the left with an air of untamed freedom. The artist's masterful use of black chalk heightened with white adds depth and texture to every stroke. Flying Childers is shown bridled but not saddled, emphasizing his wild spirit and raw energy. His muscular body is beautifully rendered, showcasing his strength and athleticism. As he charges forward, his flowing mane and tail create a sense of dynamic movement frozen in time. Owned by the 4th Duke of Devonshire at one point in history, this artwork holds historical significance as it documents one of England's most celebrated racehorses. It serves as a testament to both Seymour's artistic skill and Flying Childers' status as a true icon in equestrian history. Displayed at Yale Center for British Art as part of the prestigious Paul Mellon Collection, this print invites viewers into a world where speed meets elegance. Whether you are an avid horse lover or simply appreciate fine artistry, this piece will undoubtedly leave you captivated by its timeless beauty.
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