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Canvas Print : Flying Childers galloping to left: bridled but not saddled (black chalk
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Flying Childers galloping to left: bridled but not saddled (black chalk
XYC250003 Flying Childers galloping to left: bridled but not saddled (black chalk heightened with white) by Seymour, James (1702-52); 18.4x26.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: owned by the 4th Duke of Devonshire; ); English, out of copyright
Media ID 12771054
© www.bridgemanart.com
21"x14" (53x35cm) Canvas Print
Breathe life into your space with a stunning addition from the Media Storehouse Canvas Prints collection. Featuring the captivating artwork "Flying Childers galloping to left: bridled but not saddled (black chalk)" by James Seymour (XYC250003), this print brings the elegance and energy of equestrian art into your home or office. With intricate details and a rich, textured finish, our premium canvas prints are sure to impress. Transform any room into a gallery with this exquisite piece from Fine Art Finder at the Yale Center for British Art.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 53.3cm x 35.6cm (21" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures the sheer power and grace of Flying Childers, a legendary racehorse from the 18th century. In this stunning portrait, created by James Seymour, we see the magnificent steed galloping to the left with an air of untamed freedom. The artist's masterful use of black chalk heightened with white adds depth and texture to every stroke. Flying Childers is shown bridled but not saddled, emphasizing his wild spirit and raw energy. His muscular body is beautifully rendered, showcasing his strength and athleticism. As he charges forward, his flowing mane and tail create a sense of dynamic movement frozen in time. Owned by the 4th Duke of Devonshire at one point in history, this artwork holds historical significance as it documents one of England's most celebrated racehorses. It serves as a testament to both Seymour's artistic skill and Flying Childers' status as a true icon in equestrian history. Displayed at Yale Center for British Art as part of the prestigious Paul Mellon Collection, this print invites viewers into a world where speed meets elegance. Whether you are an avid horse lover or simply appreciate fine artistry, this piece will undoubtedly leave you captivated by its timeless beauty.
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