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Mounted Print : Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1784 by Antonio Zatta, Private Collection



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Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0031

Media ID 33187739

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


10"x8" Mount with 8"x6" Print

Step back in time with our exquisite Mounted Photo from the Media Storehouse collection. This captivating piece showcases an engraving of the Territories of Lodi, Cremona, and Pavia on the Italian side of the Po River, as depicted in Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. Engraved by the skilled hand of G. Zuliani, this historical image is a stunning addition to any home or office, transporting you back to the 18th century. The rich detail and intricate lines of the engraving are beautifully preserved in our high-quality mounted print, making it a true treasure for history enthusiasts and collectors alike.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 19.2cm x 15.2cm (7.6" x 6")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Abstract Art > Painting > Related Images

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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork, which is part of a private collection in Florence, depicts the territories of Lodi, Cremona, and Pavia on the side of the Po River. The engraving beautifully captures the essence of Renaissance-Baroque styles and periods prevalent during Europe's first and second millenniums. It serves as a testament to the remarkable craftsmanship and attention to detail that characterized this era. With its intricate lines and meticulous shading, this piece exemplifies the artistry involved in cartography and graphics during the eighteenth century. It not only serves as a geographical or topographical map but also conveys deeper meanings through allegory and abstract concepts. As an instrument for communication, this artwork transcends time by bridging two centuries - it was created in 1784 but photographed in 2009. Its ability to endure speaks volumes about its significance as a historical document. The scene depicted transports viewers back to a different era when maps were meticulously hand-drawn works of art rather than digital renderings we are accustomed to today. This print invites us to appreciate both the beauty inherent in such creations as well as their practical purpose for navigation and understanding our world. In conclusion, Alinari's photograph allows us to marvel at Zuliani's masterful engraving while reflecting on how far we have come since its creation over two centuries ago. It stands as a testament to human ingenuity within both artistic expression and scientific exploration throughout history.

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