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Mounted Print : Eastern part of Canada, northern Nova Scotia and part of Labrador, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Eastern part of Canada, northern Nova Scotia and part of Labrador, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1778 by Antonio Zatta, Private Collection



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Eastern part of Canada, northern Nova Scotia and part of Labrador, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Eastern part of Canada, northern Nova Scotia and part of Labrador, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0059

Media ID 33187607

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


10"x8" Mount with 8"x6" Print

Step back in time with our exquisite Mounted Photo from the Media Storehouse collection. Featuring an enchanting engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, this vintage print transports you to the Eastern part of Canada, northern Nova Scotia, and Labrador as they were depicted over 200 years ago. Add a touch of history and elegance to your home or office with this unique and intriguing piece.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 19.2cm x 15.2cm (7.6" x 6")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Abstract Art > Painting > Related Images

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> Arts > Portraits > Abstract art > Abstract paintings


EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork captures the eastern part of Canada, including northern Nova Scotia and a portion of Labrador. Housed in a private collection, this piece is a true gem that transports us back to the Renaissance-Baroque styles and periods. The intricate details and precision of Zuliani's engraving are truly remarkable. Every line and curve on this geographical or topographical map has been meticulously crafted, showcasing his mastery as an artist. The composition beautifully depicts the vastness of the territory while also highlighting its unique features. As we delve into this artwork, we are reminded of the importance of cartography as a means of communication throughout history. This particular engraving serves not only as a visual representation but also as an allegory for exploration and discovery during the eighteenth century. The concept or subject expressed through this artwork goes beyond mere geography; it symbolizes human curiosity and our desire to understand our surroundings better. It reminds us that maps have always been instrumental documents guiding explorers across land and sea. Dating back to 1778, this piece provides us with valuable insights into Europe's first and second millennium A. D. , specifically capturing scenes from Eastern Canada during that time period. Its preservation until today allows us to appreciate both its historical significance and artistic beauty. Through Alinari's lens in 2009, we are granted access to admire this extraordinary masterpiece from Florence Engraving Eighteenth Century collection – bridging centuries together through artistry, craftsmanship, and appreciation for our world's diverse landscapes.

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