Metal Print : Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
Metal Prints From Mary Evans Picture Library
Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮 Convent of Saint Anthony. Colonial baroque. Oil on canvas
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8279023
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10685065
Anthony Baroque Brasil Brazil Brazilian Brazilians Convent Day Light Recife Sun Light Olinda Paran
15"x10" (38x25cm) Metal Print
Discover the rich history and vibrant culture of Brazil with our stunning Metal Prints featuring the iconic Iguaraí, Olinda, and Recife. This captivating trio of images, sourced from Mary Evans Prints Online, showcases the colonial baroque beauty of Iguaraí's Convent of Saint Anthony in 1729. Each Metal Print is expertly crafted to bring out the intricate details and vibrant colors of these timeless masterpieces, transporting you back to the heart of Brazil's colonial past. Add a touch of history and artistry to your home or office with our high-quality, long-lasting Metal Prints.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 38.1cm x 25.4cm (15" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Iguaraíde: A Triangular Connection of Igarassu, Olinda, and Recife in Colonial Brazil, 1729 This evocative oil on canvas painting, titled 'Iguaraíde' (Igarassu, Olinda and Recife. 1729. BRAZIL. Iguaraíde; Convent of Saint Anthony), captures a significant moment in the history of Brazil's colonial past. The image showcases the picturesque exteriors of the Convent of Saint Anthony in Olinda, the bustling port city of Recife, and the tranquil village of Igarassu, bathed in the warm, golden light of a Brazilian day. The painting, a testament to the colonial Baroque style, transports us back to the 18th century, where the three settlements stood as integral parts of the Brazilian landscape. The Convent of Saint Anthony, with its intricate facade and ornate details, stands proudly in Olinda, a city known for its rich cultural heritage and vibrant history. The port city of Recife, with its bustling markets and diverse population, is a hub of commerce and trade, while the quaint village of Igarassu, nestled between the rivers Paraná and Capibaribe, offers a serene contrast to the urban chaos. The warm, inviting colors of the painting, the play of sunlight on the buildings, and the meticulous attention to detail all contribute to a captivating representation of colonial Brazil. The painting, a masterpiece of Brazilian art, offers a glimpse into the past, allowing us to appreciate the beauty and complexity of the country's rich history.
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