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Metal Print : Giotto di Bondone (1266 / 7-1337). Pope Innocent III approving
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Giotto di Bondone (1266 / 7-1337). Pope Innocent III approving
Gothic Art. Italy. Giotto di Bondone (1266/7-1337). Italian painter and architect. Pope Innocent III approving the monastic rule of St. Francis of Assisi (1296). Fresco of the Upper Church of St. Francis. Assisi. Italy
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Media ID 14321067
© Thaliastock / Mary Evans
13th Assisi Aura Aureole Bondone Ecclesiastic Francis Franciscan Fresco Friar Giotto Halo Innocent Monastic Monk Mural Order Painitng Pope Rule Upper
15"x10" (38x25cm) Metal Print
Experience the timeless beauty of Giotto di Bondone's masterpiece with our Media Storehouse Metal Prints. This exquisite image of Pope Innocent III approving St. Francis of Assisi's monastic rule, taken from Mary Evans Prints Online, is now available in a modern and vibrant format. Our high-quality metal prints are not just art pieces, they are works of art in themselves, with a unique, sleek design that adds depth and texture to any space. Bring the rich history of Gothic Art from Italy into your home or office with this stunning representation by Giotto di Bondone. Order now and enjoy a piece of history that will last a lifetime.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 38.1cm (10" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this exquisite 13th-century fresco, Giotto di Bondone captures a pivotal moment in the history of the Franciscan Order as Pope Innocent III approves the monastic rule of St. Francis of Assisi. The scene unfolds in the Upper Church of St. Francis in Assisi, Italy, a testament to the profound impact of these two influential figures on the religious landscape of the Middle Ages. Giotto masterfully depicts Pope Innocent III, dressed in the rich robes of his ecclesiastical office, seated on a throne, his hand raised in blessing as he signs the document that would establish the Franciscan Rule. The aura around his head, indicated by the golden halo, signifies his divine authority and spiritual connection. Beside him, St. Francis, dressed in the simple brown habit of a Franciscan friar, humbly presents the rule to the Pope. The halo above his head, also golden, signifies his sainthood and divine inspiration. The contrast between the Pope's opulence and St. Francis's simplicity underscores the radical nature of the Franciscan movement, which rejected material wealth and embraced poverty and humility. The fresco's intricate details, from the folds of the robes to the expressions on the faces of the figures, demonstrate Giotto's remarkable skill as a painter. The use of perspective and the sense of depth created by the receding architecture in the background further enhance the visual impact of the scene. This masterpiece, created during the late Gothic period, is a testament to the enduring influence of Giotto di Bondone on the development of Western art and the profound impact of St. Francis and Pope Innocent III on the religious and social landscape of medieval Europe.
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