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Metal Print : The Question Settled, 1874. Artist: Charles Samuel Keene

The Question Settled, 1874. Artist: Charles Samuel Keene



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The Question Settled, 1874. Artist: Charles Samuel Keene

The Question Settled, 1874. A Mrs Malaprop-like elderly lady, dressed in frills and lace rather unbecoming to one of her years, is taking a journey by railway. The numerous collisions that occurred on the countrys railways each year was becoming more and more often the subject of criticism. The infrastructure of tracks and signals was failing to keep up with, or properly support, the growing use that was being made of the railway system. From Punch, or the London Charivari, September 1874

Heritage Images features heritage image collections

Media ID 14831273

© The Print Collector / Heritage-Images

Charles Samuel Charles Samuel Keene Compartment Frill Frilly Heritage Image Partnership Keene Passenger Passengers Railway Carriage


20"x16" (51x41cm) Metal Print

Experience the timeless charm of Charles Samuel Keene's iconic work, "The Question Settled, 1874," now available as a stunning Metal Print from Media Storehouse. This captivating image, featuring a humorous scene of a misguided elderly lady embarking on a railway journey, comes to life in vibrant colors and sharp details on high-quality metal. Each Metal Print is meticulously crafted to bring out the rich textures and intricacies of the original artwork, creating a unique and eye-catching piece for your home or office. Add a touch of history and whimsy to your space with this beautiful and durable Metal Print by Charles Samuel Keene.

Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > Charles White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Transport > Railway

> Popular Themes > Railway Posters

> Posters > Railway Posters


The Question Settled, 1874

EDITORS COMMENTS
is a captivating print by Charles Samuel Keene that transports us back to the Victorian era. In this satirical illustration, we are introduced to a Mrs Malaprop-like elderly lady who defies her age with an extravagant attire of frills and lace. The image captures her embarking on a railway journey, highlighting the growing concerns surrounding the safety of train travel during that time. As the country's railways experienced an increasing number of collisions each year, criticism mounted against the inadequate infrastructure of tracks and signals. This cartoon serves as a social commentary on how these failures failed to keep up with or support the expanding use of the railway system. Keene's artistic style brilliantly captures both humor and critique in this monochrome engraving. The intricate details in the woman's dress emphasize her outdated fashion choices while also symbolizing societal resistance to change. Through his clever portrayal, Keene invites viewers to reflect upon issues related to transportation, gender roles, and technological advancements prevalent in 19th-century Britain. "The Question Settled" not only offers historical insights into Victorian society but also showcases Keene's talent for combining satire with visual storytelling. This heritage image partnership print allows us to appreciate his unique perspective and contribution as an artist during this transformative period in British history.

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