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Metal Print : Slum Housing
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Slum Housing
Beggars scraping an existence in squalid living conditions in China, from China And The People. (Photo by John Thomson/Getty Images)
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John Thomson
Media ID 14761354
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20"x20" (51x51cm) Metal Print
Experience the raw and poignant reality of history with our Media Storehouse Metal Prints featuring the iconic image "Beggars Scraping an Existence in Squalid Living Conditions in China" by John Thomson. This powerful photograph from China and The People series, taken by John Thomson in the late 1800s, is now available as a Metal Print, bringing the rich textures and tones of this fine art image to life. Each Metal Print is expertly crafted using high-quality materials and state-of-the-art printing techniques, ensuring a stunning and long-lasting display. Add this captivating piece to your home or office decor and transport yourself back in time, while making a bold statement about the human condition and social history.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 50.8cm x 50.8cm (20" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This powerful print captures the harsh reality of slum housing in China during a time when poverty and destitution plagued its people. In this poignant image, we witness beggars scraping an existence amidst squalid living conditions. The photographer, John Thomson, known for his ability to capture the raw essence of humanity, skillfully portrays the resilience and struggle of these individuals. The composition is strikingly framed with a square format that intensifies the sense of confinement within this impoverished environment. A bucket sits prominently in the foreground, symbolizing their daily struggle for survival. Cooking utensils scattered around further emphasize their meager existence while a pipe protruding from one corner hints at their desperate attempts to find solace or escape from their dire circumstances. The male figures depicted exude strength despite their worn-out appearances, embodying the indomitable spirit found even in such challenging situations. Their distinctly Chinese features serve as a reminder that poverty knows no boundaries and affects people across all cultures. John Thomson's photographic masterpiece serves as both documentation and social commentary on the plight faced by those living on society's fringes. It invites viewers to confront uncomfortable truths about inequality and challenges us to reflect upon our own responsibility towards creating a more just world.
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