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Glass Frame : Slum Housing
Mounted Prints from Fine Art Storehouse
Slum Housing
Beggars scraping an existence in squalid living conditions in China, from China And The People. (Photo by John Thomson/Getty Images)
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John Thomson
Media ID 14761354
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8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This powerful print captures the harsh reality of slum housing in China during a time when poverty and destitution plagued its people. In this poignant image, we witness beggars scraping an existence amidst squalid living conditions. The photographer, John Thomson, known for his ability to capture the raw essence of humanity, skillfully portrays the resilience and struggle of these individuals. The composition is strikingly framed with a square format that intensifies the sense of confinement within this impoverished environment. A bucket sits prominently in the foreground, symbolizing their daily struggle for survival. Cooking utensils scattered around further emphasize their meager existence while a pipe protruding from one corner hints at their desperate attempts to find solace or escape from their dire circumstances. The male figures depicted exude strength despite their worn-out appearances, embodying the indomitable spirit found even in such challenging situations. Their distinctly Chinese features serve as a reminder that poverty knows no boundaries and affects people across all cultures. John Thomson's photographic masterpiece serves as both documentation and social commentary on the plight faced by those living on society's fringes. It invites viewers to confront uncomfortable truths about inequality and challenges us to reflect upon our own responsibility towards creating a more just world.
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