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State physicians bleeding John Bull to death!!, Cruikshank, George, 1792-1878, artist

State physicians bleeding John Bull to death!!, Cruikshank, George, 1792-1878, artist


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Liszt Collection

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State physicians bleeding John Bull to death!!, Cruikshank, George, 1792-1878, artist

State physicians bleeding John Bull to death!!, Cruikshank, George, 1792-1878, artist, engraving 1816. Vansittart and Castlereagh, as surgeons, bleeding coins from the arms of John Bull. The coins are collected by Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and the gouty Regent. Brougham, stands on the left, pointing finger at John Bull, saying, Retrench! Johnny, Retrench! practise a little more Economy

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12810169

© Quint Lox Limited

1792 1878 1816 Arms Bleeding Bull Charlotte Chinese Coins Collected Cruikshank Death Economy Finger George John Leopold Little Mandarin Nostalgia Nostalgic Old Fashioned Pointing Prince Princess Regent Stands State Tiny Traditional Brougham Castlereagh Gouty Johnny Mcmahon Physicians Practise Surgeons Vansittart


EDITORS COMMENTS
This vintage print titled "State physicians bleeding John Bull to death!!" by George Cruikshank depicts a satirical scene from 1816. In the engraving, Vansittart and Castlereagh are portrayed as surgeons, extracting coins from the arms of John Bull, symbolizing the excessive taxation burdening the British people. The collected coins are then handed over to various figures including Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and even the gouty Regent. The composition also features Brougham standing on the left side of the image, pointing an accusing finger at John Bull while urging him to "Retrench! Johnny Retrench!". This phrase emphasizes the need for economic restraint and frugality during that time. With its intricate illustrative technique and historical significance, this engraved artwork offers a glimpse into Victorian-era art and culture. It evokes nostalgia for an era long gone by showcasing traditional artistic styles prevalent in historic art. As part of Liszt Collection's extensive archive of historic prints and engravings, this piece serves as a reminder of how artists like George Cruikshank used their craft to comment on social issues through satire. Its old-fashioned charm appeals to those who appreciate antique artworks with romantic undertones.

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