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Saint Jerome recto Soldier Spear verso 1460-1525

Saint Jerome recto Soldier Spear verso 1460-1525


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Liszt Collection

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Saint Jerome recto Soldier Spear verso 1460-1525

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14043906

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1493 Altarpiece Black Ink Blue Paper Chalk Charcoal Croatia Drawing Explore Figure Gray Wash Highlighted Maximum Old Man Painted Recto Saint Jerome Soldier Spear Study Traces Venice Verso Vittore Carpaccio White Gouache Zadar Carpaccio Possibilities


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> Arts > Artists > C > Vittore Carpaccio

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > Croatia > Related Images


EDITORS COMMENTS
This print showcases the intricate artwork of "Saint Jerome recto Soldier Spear verso 1460-1525" by Vittore Carpaccio, an esteemed Italian artist from Venice. The piece is a study drawing that explores the possibilities of capturing the essence of an old man's figure. On one side, we see Saint Jerome depicted in meticulous detail with brush and black ink, enhanced by gray wash and traces of chalk and charcoal. The artist skillfully highlights certain areas with white gouache on blue paper, creating a striking contrast that brings this religious figure to life. Flipping over to the other side reveals a soldier holding a spear, executed with equal precision and attention to detail. This maximum-sized irregularly cut drawing measures approximately 6 3/4 x 4 1/8 inches (172 x 105 cm), showcasing Carpaccio's mastery in working within confined dimensions. Originally painted as part of an altarpiece for the cathedral in Zadar, Croatia in 1493, this artwork offers us a glimpse into Carpaccio's creative process and his dedication to studying human form. It serves as a testament to his talent as both a painter and draftsman. The Liszt Collection has beautifully captured this remarkable piece through their print reproduction by Artokoloro. With its rich history and artistic significance, this image invites viewers to appreciate Carpaccio's contribution to Renaissance art while marveling at his ability to breathe life into his subjects through detailed drawings.

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