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Vittore Carpaccio Collection

Vittore Carpaccio, an Italian painter of the Renaissance era, left a lasting legacy with his remarkable artworks. In "Detail of St

Background imageVittore Carpaccio Collection: The Dream of St Ursula, 1495, (1911)

The Dream of St Ursula, 1495, (1911)
The Dream of St Ursula, 1495. after a tempera on canvas by Vittore Carpaccio (c1465-c1525). Original housed in the Gallerie dell Accademia, Venice. From A History of Painting Vol

Background imageVittore Carpaccio Collection: The Virgin and Four Other Women, 1505/1510. Creator: Vittore Carpaccio

The Virgin and Four Other Women, 1505/1510. Creator: Vittore Carpaccio
The Virgin and Four Other Women, 1505/1510

Background imageVittore Carpaccio Collection: Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08. Creator: Vittore Carpaccio
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Background imageVittore Carpaccio Collection: Detail of St. George Killing the Dragon, c. 1502-07 (oil on canvas) (detail of 428017)

Detail of St. George Killing the Dragon, c. 1502-07 (oil on canvas) (detail of 428017)
XIR430586 Detail of St. George Killing the Dragon, c.1502-07 (oil on canvas) (detail of 428017) by Carpaccio, Vittore (c.1460/5-1523/6); Scuola di San Giorgio degli Schiavoni, Venice

Background imageVittore Carpaccio Collection: St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)

St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)
XIR430587 St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017) by Carpaccio, Vittore (c.1460/5-1523/6); Scuola di San Giorgio degli Schiavoni, Venice

Background imageVittore Carpaccio Collection: Madonna and Child, c. 1505 / 1510. Creator: Vittore Carpaccio

Madonna and Child, c. 1505 / 1510. Creator: Vittore Carpaccio
Madonna and Child, c. 1505/1510

Background imageVittore Carpaccio Collection: The Virgin Reading, c. 1505. Creator: Vittore Carpaccio

The Virgin Reading, c. 1505. Creator: Vittore Carpaccio
The Virgin Reading, c. 1505

Background imageVittore Carpaccio Collection: The Flight into Egypt, c. 1515. Creator: Vittore Carpaccio

The Flight into Egypt, c. 1515. Creator: Vittore Carpaccio
The Flight into Egypt, c. 1515

Background imageVittore Carpaccio Collection: Saint Jerome (recto); Soldier with a Spear (verso), 1460-1525. Creator: Vittore Carpaccio

Saint Jerome (recto); Soldier with a Spear (verso), 1460-1525. Creator: Vittore Carpaccio
Saint Jerome (recto); Soldier with a Spear (verso), 1460-1525

Background imageVittore Carpaccio Collection: Studies of a Seated Youth in Armor, ca. 1505. Creator: Vittore Carpaccio

Studies of a Seated Youth in Armor, ca. 1505. Creator: Vittore Carpaccio
Studies of a Seated Youth in Armor, ca. 1505

Background imageVittore Carpaccio Collection: The Meditation on the Passion, ca. 1490. Creator: Vittore Carpaccio

The Meditation on the Passion, ca. 1490. Creator: Vittore Carpaccio
The Meditation on the Passion, ca. 1490

Background imageVittore Carpaccio Collection: Armored Figure on Horseback, c. 1450. Creator: Vittore Carpaccio (Italian, 1455 / 65-1525 / 26)

Armored Figure on Horseback, c. 1450. Creator: Vittore Carpaccio (Italian, 1455 / 65-1525 / 26)
Armored Figure on Horseback, c. 1450

Background imageVittore Carpaccio Collection: Holy Family with Two Donors, 1505. Artist: Vittore Carpaccio

Holy Family with Two Donors, 1505. Artist: Vittore Carpaccio
Holy Family with Two Donors, 1505. The Gulbenkian Foundation, Lisbon

Background imageVittore Carpaccio Collection: Presentation of Jesus in the Temple, 1510 (1870). Artist: Bertrand

Presentation of Jesus in the Temple, 1510 (1870). Artist: Bertrand
Presentation of Jesus in the Temple, 1510 (1870). After the painting by Vittore Carpaccio in the collection of the Gallerie dell Accademia, Venice

Background imageVittore Carpaccio Collection: A Philosopher with a Pen in his Hand, 1502-1505. Artist: Vittore Carpaccio

A Philosopher with a Pen in his Hand, 1502-1505. Artist: Vittore Carpaccio
A Philosopher with a Pen in his Hand, 1502-1505. Carpaccio, Vittore (1460-1526). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageVittore Carpaccio Collection: Ste Famille, detail. Artist: Vittore Carpaccio

Ste Famille, detail. Artist: Vittore Carpaccio
Ste Famille, detail

Background imageVittore Carpaccio Collection: The Meditation on the Passion, c1510. Artist: Vittore Carpaccio

The Meditation on the Passion, c1510. Artist: Vittore Carpaccio
The Meditation on the Passion, c1510. The Gulbenkian Foundation, Lisbon

Background imageVittore Carpaccio Collection: Hunting Lagoon recto Letter Rack verso Vittore Carpaccio

Hunting Lagoon recto Letter Rack verso Vittore Carpaccio
Hunting on the Lagoon (recto); Letter Rack (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Venice, Veneto, Italy; about 1490 - 1495; Oil on panel; 75.6 × 63.8 cm (29 3, 4 × 25 1, 8 in.)

Background imageVittore Carpaccio Collection: God Father recto Standing Christ verso Vittore Carpaccio

God Father recto Standing Christ verso Vittore Carpaccio
God the Father (recto); Standing Christ (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Venice, Veneto, Italy; about 1495 - 1500; Black chalk, brush with gray wash

Background imageVittore Carpaccio Collection: Bishop Holding Candle recto Draped Legs verso

Bishop Holding Candle recto Draped Legs verso
Bishop Holding a Candle (recto); Draped Legs (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Italy; 1493; Brush and wash, heightened with white gouache, black chalk; 20.2 x 11.1 cm (7 15)

Background imageVittore Carpaccio Collection: Study Virgin recto Hands verso Vittore Carpaccio

Study Virgin recto Hands verso Vittore Carpaccio
Study of the Virgin (recto); Study of the Virgin and of Hands (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Italy; about 1505; Brush with brown wash, black chalk

Background imageVittore Carpaccio Collection: Studies Seated Youth Armor ca 1505 Point brush

Studies Seated Youth Armor ca 1505 Point brush
Artokoloro

Background imageVittore Carpaccio Collection: Saint Jerome recto Soldier Spear verso 1460-1525

Saint Jerome recto Soldier Spear verso 1460-1525
Artokoloro

Background imageVittore Carpaccio Collection: Hunting on the Lagoon (recto), Letter Rack (verso)

Hunting on the Lagoon (recto), Letter Rack (verso); Vittore Carpaccio, Italian, about 1460 - 1526; Venice, Italy, Veneto, Europe; about 1490 - 1495; Oil on panel; Unframed

Background imageVittore Carpaccio Collection: Vittore Carpaccio (Italian, c. 1465-1525-1526), The Virgin Reading, c

Vittore Carpaccio (Italian, c. 1465-1525-1526), The Virgin Reading, c. 1505, oil on panel transferred to canvas

Background imageVittore Carpaccio Collection: Vittore Carpaccio, Madonna and Child, Italian, c

Vittore Carpaccio, Madonna and Child, Italian, c. 1465-1525-1526, c. 1505-1510, oil on panel


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Vittore Carpaccio, an Italian painter of the Renaissance era, left a lasting legacy with his remarkable artworks. In "Detail of St. George Killing the Dragon, " painted between 1502-07, Carpaccio captures the intense moment as St. George valiantly slays the fearsome dragon, showcasing his mastery in oil on canvas. Another masterpiece by Carpaccio is "Madonna and Child, " created around 1505-1510. This exquisite painting depicts the tender bond between Mary and baby Jesus, radiating love and serenity through every brushstroke. In "The Virgin Reading, " also from around 1505, we witness Mary engrossed in deep contemplation as she reads sacred texts. Carpaccio's attention to detail brings this scene to life, capturing both her intellectual curiosity and spiritual devotion. "The Flight into Egypt" showcases Carpaccio's ability to convey emotion through art. Painted circa 1515, it portrays Joseph leading Mary and baby Jesus away from danger with a sense of urgency and determination. Carpaccio's versatility is evident in works like "Saint Jerome (recto); Soldier with a Spear (verso), " which dates back to 1460-1525. Here he presents two contrasting subjects on one canvas - Saint Jerome immersed in religious study juxtaposed with a soldier ready for battle. In "Studies of a Seated Youth in Armor" from approximately 1505, Carpaccio demonstrates his skillful portrayal of human anatomy while capturing the strength and resilience embodied by armored warriors. "The Meditation on the Passion, " painted around 1490, delves into Christ's suffering during his crucifixion. Through intricate details and vivid colors, Carpaccio invites viewers to reflect upon their own spirituality. Carpaccio's talent extends beyond religious themes; he also excels at depicting historical figures such as in "Armored Figure on Horseback" from around 1450.