Jigsaw Puzzle : Raphus cucullatus, dodo, Ara macao, scarlet macaw
Jigsaw Puzzles from Mary Evans Picture Library
Raphus cucullatus, dodo, Ara macao, scarlet macaw
Oil painting attributed to Roelandt Savery (c. 1625). Given to The Natural History Museum, London, in 1759 by G. Edwards. See N04297 for black and white image
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8596015
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10703863
18th Century Columbidae Columbiformes Dodo Edwards Elphick Explorer Flightless George Edwards Jonathan Jonathan Elphick Kindred Macaw Parrot Perched Perching Psittacidae Ara Macao
Jigsaw Puzzle (500 Pieces)
Discover the wonders of the natural world with our exquisite jigsaw puzzles from Media Storehouse. This captivating puzzle features an oil painting by Roelandt Savery, showcasing the Raphus cucullatus, or the extinct Dodo, and the vibrant Ara macao, or Scarlet Macaw. Transport yourself to a time when these magnificent creatures roamed free. With intricately detailed pieces, solving this puzzle is an immersive experience that brings history and art to life in your own home. Be a part of the discovery process and embark on a journey of exploration and education with Media Storehouse's premium jigsaw puzzles.
500 piece puzzles are custom made in the UK and hand-finished on 100% recycled 1.5 mm millboard. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 38x50cm and is delivered packaged in an attractive presentation box specially designed to fit most letter box slots
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 50.2cm x 38cm (19.8" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This oil painting, attributed to the Flemish artist Roelandt Savery and dated around 1625, showcases an intriguing assemblage of four extraordinary birds: the Raphus cucullatus, or dodo, and the Ara macao, or scarlet macaw, both native to the Atlantic islands and the Americas, respectively. The painting is a testament to the fascination and curiosity Europeans held towards exotic species during the 17th century. The dodo, a flightless bird endemic to Mauritius, is depicted perched on a rocky outcrop, its distinctive blue-grey plumage contrasting with the lush green foliage behind it. Its large, round body, short neck, and small wings are characteristic features of this extinct bird, which was hunted to extinction by the late 17th century. The scarlet macaw, on the other hand, is shown perched on a tree branch, its vibrant red, blue, and yellow feathers creating a striking contrast against the dark background. With a wingspan of up to 1 m (3.3 ft), this large parrot is a native of Central and South America and is known for its intelligence and distinctive call. The presence of these two birds together in the painting suggests an exploration or hunting scene, possibly depicting European settlers encountering these exotic species for the first time. The painting was given to The Natural History Museum, London, in 1759 by George Edwards, a renowned English naturalist and illustrator. Edwards was a pioneer in the field of ornithology and is known for his meticulously detailed illustrations of birds. This painting is a remarkable example of the art of ornithology during the 18th century and provides a glimpse into the fascination and curiosity Europeans held towards exotic birds during this period. The kindred presence of the dodo and the scarlet macaw in the painting highlights the interconnectedness of the natural world and the desire to document and understand it.
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