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Votive panel of Archbishop Jan Ocko of Vlasim, after 1370 (1955). Artist: Master Theodoric
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Votive panel of Archbishop Jan Ocko of Vlasim, after 1370 (1955). Artist: Master Theodoric
Votive panel of Archbishop Jan Ocko of Vlasim, after 1370 (1955). Tempera on panel, seen before its restoration. It depicts the Virgin and Child surrounded by St Sigismund, the Emperor Charles IV, Wenceslas IV and St Wenceslas. Jan Ocko of Vlasim was the second Archbishop of Prague (1364-1378). A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955
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Media ID 14926292
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10th Century 6th Century Bohemia Bohemian Burgundian Burgundy Charles Iv Czech Halo Hands Clasped Hands Together Holy Roman Emperor Master Panel Prague Prayer Praying Print Collector12 Saint Mary Sigismund St Mary Stella Maris Tenth Century The Virgin Mary Theodoric Virgin And Child Virgin Mother Fourteenth Century Infancy Mother Of God Tempera
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EDITORS COMMENTS
This print showcases the Votive panel of Archbishop Jan Ocko of Vlasim, a masterpiece created by Master Theodoric in the 14th century. The tempera on panel artwork depicts the iconic scene of the Virgin and Child, surrounded by an esteemed group of saints and monarchs. In this sacred composition, St Sigismund, Emperor Charles IV, Wenceslas IV, and St Wenceslas are depicted alongside the central figures. Archbishop Jan Ocko of Vlasim was a significant figure in Prague's history as he served as its second Archbishop from 1364 to 1378. This exquisite piece captures his devotion to Christianity and his influential role within Bohemia during that era. The artist's attention to detail is evident in every brushstroke: from the vibrant colors adorning their robes to the delicate halo surrounding each saintly figure. The Virgin Mary gazes lovingly at her divine child while holding him tenderly in her arms—a symbol of motherhood and faith. This remarkable print offers us a glimpse into medieval religious artistry at its finest. It serves as a testament to both Master Theodoric's exceptional talent and Archbishop Jan Ocko's unwavering devotion to his spiritual calling. As we admire this piece today, we can appreciate its historical significance and marvel at how it has withstood the test of time.
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