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They spruce themselves up, 1799. Artist: Francisco Goya
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They spruce themselves up, 1799. Artist: Francisco Goya
They spruce themselves up, 1799. Plate 51 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain. The series is evidence of the artists political liberalism and revulsion towards ignorance and intellectual oppression
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Assistance Cutting De Goya Feet Foot Francisco Francisco De Goya Francisco Goya Francisco José De Goya Y Lucientes Goya Grotesque Helping Monster Scissors Talon Toes Treatment Ugly Winged Print Collector3 Toenail
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They Spruce Themselves Up, 1799
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is a captivating print by Francisco Goya. This artwork belongs to the series called Los Caprichos, which was published during a time of social repression and economic crisis in Spain. Plate 51 of Los Caprichos reflects Goya's political liberalism and his disdain for ignorance and intellectual oppression. In this grotesque yet thought-provoking image, we witness a group of poor men outside in the countryside seeking assistance. The artist employs satire to highlight their plight as they gather around an ugly monster-like figure with winged talons instead of feet. With scissors in hand, this monstrous character appears to be cutting the toenails of one man while others await their turn. Goya's etching skillfully captures the poverty-stricken conditions prevalent during that era. Through his caricatured portrayal, he exposes society's disregard for those living in destitution. The monochrome aesthetic adds depth to the composition, emphasizing both the physical hardships endured by these individuals and their marginalized existence. 'They Spruce Themselves Up' serves as a powerful critique on societal inequality and highlights Goya's ability to use art as a medium for social commentary. By shedding light on such issues through his work, Goya challenges viewers to confront uncomfortable truths about class divisions and calls for empathy towards those less fortunate. This print is not only an artistic masterpiece but also an important historical document that reminds us of the enduring relevance of art in addressing socio-pol
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