Goya Collection

GOYA: WITCHES SABBATH. The Witches Sabbath. Oil on canvas, 1795-98, by Francisco Goya

GOYA: SATURN, 1819-23. Saturn Devouring a Son. Oil by Francisco Goy, 1819-23

The Great He-Goat, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Great He-Goat, 1820-1823. Detail. Prado Museum. Madrid. Spain

The Naked Maja, c1800. Artist: Francisco Goya
The Naked Maja, (la Maja Desnuda), c1800. One of two paintings of the same woman in the same pose and also one of the few nude portraits in Spain at this time

Witches in Flight (Vuelo de Brujas), 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Witches in Flight (Vuelo de Brujas), 1797-1798. Found in the collection of Museo del Prado, Madrid

Los Caprichos by Francisco de Goya (1746-1828)
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera

Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco Goya
Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Found in the collection of the National Gallery, London

Goya Birdmen
MODO DE VOLAR One of Goyas many etchings depicting winged people, this is the most realistic, with wings large enough to be aerodynamically viable

GOYA Y LUCIENTES, Francisco de (1746-1828). The Dog. 1819 - 1823. Mural painting mounted on canvas. This painting with the other 13 works decorated two rooms of the Quinta del Sordo

GOYA Y LUCIENTES, Francisco de (1746-1828). Duchesse of Alba. 1795. SPAIN. Madrid. Liria Palace. Oil on canvas

The drowning Dog, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The drowning Dog, 1820-1823. Prado Museum. Madrid. Spain

Hunting Party, 1775, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Hunting Party, 1775. Prado Museum. Madrid. Spain

Witches Sabbath by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. Witches Sabbath, 1821-1823. Detail. Prado Museum. Madrid. Spain

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Reading, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Reading, 1820-1823. Prado Museum. Madrid. Spain

Ridiculous Dream, 1819-1823. Artist: Francisco Goya
Ridiculous Dream, 1819-1823. Plate 3 of Proverbs, published in 1864. The series is also known as disparates (absurdities) or suenos (dreams)

Goya (1746-1828). Spanish painter and printmaker. Los Capric
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Donde va mama? (Where are you going mum?). Number 65. Aquatint. 1799. Plate 43. Reproduction by M. Segui i Riera

Woman in Prison
GOYA Y LUCIENTES, Francisco de (1746-1828). Woman in Prison. Red and sanguine wash painting. Unique try that was destined

Goya (Postcard)
FRANCISCO JOSE DE GOYA Y LUCIENTES Spanish painter, etcher and lithographer

The Madhouse (Asylum). Artist: Goya, Francisco, de (1746-1828)
The Madhouse (Asylum). Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

The Forge, c. 1815. Artist: Goya, Francisco, de (1746-1828)
The Forge, c. 1815. Found in the collection of the Frick Collection, New York

GOYA Y LUCIENTES, Francisco de (1746-1828). The Parasol. 1777. Was painted as a cartoon for a tapestry that would decorated the dinning room of the Palace of El Pardo. Oil on canvas. SPAIN. Madrid

There was nothing to be done and he died
GOYA Y LUCIENTES, Francisco de (1746-1828). There was nothing to be done and he died. Plate 53

Monument to Francisco de Goya, Puerta Alte de Goya, near entrance to the Museo del Prado Museum and Art Gallery, Madrid, Spain, Europe

Francisco de Goya, El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique), Spanish

Portrait of the spanish artist Goya (engraving)
6266107 Portrait of the spanish artist Goya (engraving); (add.info.: Portrait of Francisco de Goya. Francisco Jose de Goya y Lucientes, 1746-1828. Spanish painter and printmaker)

Francisco de Goya (1746-1828)
3499693 Francisco de Goya (1746-1828); (add.info.: Francisco de Goya (1746-1828). Spanish painter and engraver. The Road to Hell, 1818. Drawing on black pencil. National Library

Portrait of King Ferdinand VII of Spain, 1808. Creator: Goya, Francisco, de (1746-1828)
Portrait of King Ferdinand VII of Spain, 1808. Found in the Collection of the Museu de Arte de S£o Paulo.

La Tauromaquia: The unfortunate death of Pepe Illo in the Madrid arena, 1815-1816. Private Collection

La Tauromaquia: The Death of Pepe Illo, 1815-1816. Creator: Goya, Francisco, de (1746-1828)
La Tauromaquia: The Death of Pepe Illo, 1815-1816. Private Collection

La Tauromaquia: The Moors Use Donkeys as a Barrier to Defend Themselves against the..., 1815-1816
La Tauromaquia: The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls, 1815-1816. Private Collection

La Tauromaquia: The Moors make a different play in the ring calling the bull with..., 1815-1816
La Tauromaquia: The Moors make a different play in the ring calling the bull with their burnous, 1815-1816. Private Collection

La Tauromaquia: Mariano Ceballos, alias the Indian, kills the bull from his horse, 1815-1816. Private Collection

La Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and..., 1815-1816
La Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms, 1815-1816. Private Collection

La Tauromaquia: Origin of the Harpoons or Banderillas, 1815-1816. Creator: Goya, Francisco, de (1746-1828)
La Tauromaquia: Origin of the Harpoons or Banderillas, 1815-1816. Private Collection

La Tauromaquia: The Daring of Martincho in the Ring at Saragossa, 1815-1816. Creator: Goya, Francisco, de (1746-1828)
La Tauromaquia: The Daring of Martincho in the Ring at Saragossa, 1815-1816. Private Collection

The Milkmaid of Bordeaux, 1825-1826. Creator: Goya, Francisco, de (1746-1828)
The Milkmaid of Bordeaux, 1825-1826. Found in the Collection of the Museo del Prado, Madrid

Young Women with a Letter, ca 1813-1820. Creator: Goya, Francisco, de (1746-1828)
Young Women with a Letter, ca 1813-1820. Found in the Collection of the Musee des Beaux-Arts, Lille

El Tiempo (Time and the old woman), c. 1810. Creator: Goya, Francisco, de (1746-1828)
El Tiempo (Time and the old woman), c. 1810. Found in the Collection of the Musee des Beaux-Arts, Lille

The Milkmaid of Bordeaux, 1825-1826. Creator: Goya, Francisco, de (1746-1828)
The Milkmaid of Bordeaux, 1825-1826. Found in the Collection of the Museo del Prado, Madrid

Young Women with a Letter, ca 1813-1820. Creator: Goya, Francisco, de (1746-1828)
Young Women with a Letter, ca 1813-1820. Found in the Collection of the Musee des Beaux-Arts, Lille

El Tiempo (Time and the old woman), c. 1810. Creator: Goya, Francisco, de (1746-1828)
El Tiempo (Time and the old woman), c. 1810. Found in the Collection of the Musee des Beaux-Arts, Lille

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Standing male nude, 1789, (1943). Creator: Francisco Goya
Standing male nude, 1789, (1943). Drawing in the Real Academia de Bellas Artes de San Carlos de Valencia, Spain. From " Europaische Handzeichnungen"

Young woman at the Well (Susanna and the Elders?) from the Madrid Album, 1795. Found in the Collection of Biblioteca Nacional, Madrid

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"Goya: A Master of Dark and Captivating Art" Francisco Goya, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his captivating works. From his iconic painting "The Naked Maja" to the haunting image of "Saturn Devouring a Son, " Goya's art exudes raw emotion and pushes boundaries. In "Witches in Flight, " we witness Goya's fascination with the supernatural as he depicts witches soaring through the night sky. The eerie atmosphere and intricate details transport us into a realm where reality blends with fantasy. Goya's exploration of darkness continues in "The Witches Sabbath. " This oil masterpiece portrays a gathering of witches engaged in mysterious rituals, showcasing Goya's ability to capture both horror and intrigue within one canvas. However, not all of Goya's works delve into macabre themes. In his portrait of Field Marshal Arthur Wellesley, better known as the Duke of Wellington, we see his talent for capturing the essence and personality of his subjects. The attention to detail brings this military leader to life before our eyes. One cannot discuss Goya without mentioning "Los Caprichos. " This series showcases satirical etchings that critique society during its time. With biting social commentary and dark humor, these prints reveal Goya's sharp wit and keen observation skills. "The Great He-Goat" is another enigmatic piece by Goya that challenges interpretation. Symbolizing chaos and rebellion against societal norms, this painting invites viewers to question their own perceptions while marveling at its complexity. Glimpses into everyday life can also be found in some of Goya's lesser-known works like "Reading. " Here, he captures a quiet moment between two individuals engrossed in literature—a testament to his ability to find beauty even amidst simplicity. While many know him for his paintings, it is important to note Goya's talent as a printmaker.