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The Preposterous Head Dress or The Feathered Lady, 1776
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The Preposterous Head Dress or The Feathered Lady, 1776
The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14916959
© The Print Collector / Heritage-Images
Dressing Table Dressingroom Dressingtable Emily Morse Emily Morse Symonds Enormous Feather Feathered Feathers Funny George Paston Hairdresser Huge Humorous Mirror Ostrich Feather Ostrich Feathers Paston Ridiculous Silly Symonds Hairdo Hairdressing Headgear Preposterous
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The Preposterous Head Dress or The Feathered Lady, 1776
EDITORS COMMENTS
is a whimsical and satirical illustration that offers a humorous commentary on the extravagant fashion trends of the 18th century. In this print, we see a female figure adorned with an enormous headdress made entirely of ostrich feathers. The sheer size and absurdity of the headgear immediately catch our attention. The woman sits at her dressing table in an opulent interior, surrounded by mirrors and furniture. Her hairdo is intricately styled, showcasing the intricate artistry involved in creating such elaborate hairstyles during this era. A male figure can be seen in the background, observing her with amusement. This image serves as a witty critique of societal norms and expectations surrounding women's fashion choices at the time. It highlights how some individuals went to extreme lengths to conform to these standards, often resulting in outlandish appearances. Created by George Paston (pseudonym for Emily Morse Symonds) as part of "Social Caricature in the Eighteenth Century" this print captures both the artistic talent and sharp wit that characterized caricatures from this period. Through its exaggerated portrayal of fashion excesses, it invites viewers to reflect on their own relationship with clothing and personal expression. Overall, "The Preposterous Head Dress or The Feathered Lady" remains an amusing reminder that even centuries ago, people found joy in poking fun at societal conventions through clever visual satire.
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