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Paintin a la Mode, 1748
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Paintin a la Mode, 1748
Paintin a la Mode: Published according to the Act of Parliament, September 1748 for J Wakelin. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14916935
© The Print Collector / Heritage-Images
Clergyman Cleric Doll Emily Morse Emily Morse Symonds Frock Coat George Paston Monkey Paston Social Gathering Symonds Toys
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Paintin a la Mode, 1748 - A Satirical Snapshot of Eighteenth Century British Society
EDITORS COMMENTS
. This print captures the essence of "Paintin a la Mode, 1748" an intriguing artwork published in September 1748 by J Wakelin. The image is part of the renowned book "Social Caricature in the Eighteenth Century" by George Paston (pseudonym of Emily Morse Symonds), which features over two hundred illustrations. In this scene, we are transported back to eighteenth century Britain, where a social gathering takes place. The artist's keen eye for satire is evident as they depict various figures from different walks of life. Amongst them stands a clergyman dressed in his frock coat, symbolizing Christianity and religious authority. Amidst the crowd, we notice an animal-like figure - a mischievous monkey toy held by one of the women present. This playful addition adds an element of whimsy to the composition while subtly commenting on human behavior. The monochrome aesthetic enhances the timeless quality of this piece and allows us to focus on its intricate details. Each character's attire reflects their role within society; men donning formal suits exude power and influence while women showcase fashionable dresses that epitomize elegance. Through this thought-provoking artwork, we glimpse into a world where art intertwines with societal critique. It serves as both entertainment and commentary on religious institutions, gender roles, and social norms prevalent during that era
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