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The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton

The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton


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The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton

The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. The painter Richard Cosway paints a macaroni or dandy in this satire on exaggerated fashions of the day. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917260

© The Print Collector / Heritage-Images

Cosway Dighton Easel Emily Morse Emily Morse Symonds George Paston Macaroni Macarony Paint Paintbrush Painting A Picture Paston Pictures Richard Richard Cosway Robert Dighton Stocking Stockings Studio Symonds Metaphor


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> Arts > Artists > C > Richard Cosway

> Arts > Artists > D > Robert Dighton

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Fashion


The Macaroni Painter, or Billy Dimple sitting for his picture, 1770

EDITORS COMMENTS
is a captivating print that transports us back to the extravagant fashion trends of the 18th century. Created by Robert Dighton, this satirical artwork showcases the artist Richard Cosway painting a macaroni or dandy, highlighting the exaggerated styles of the era. In this intriguing composition, we see Billy Dimple posing confidently in his elaborate attire while seated in front of an easel. His hair is intricately styled and adorned with fashionable accessories, perfectly reflecting the flamboyant macaroni trend. The attention to detail in his clothing - from stockings to shoes - demonstrates the meticulousness with which people approached their appearance during this period. Dighton's skillful use of monochrome adds depth and texture to the print, enhancing its overall aesthetic appeal. Through clever caricature and satire, he playfully mocks society's obsession with fashion and self-expression. This artwork not only serves as a visual time capsule but also offers insight into professions prevalent during that era. It reminds us of how artists like Cosway played a crucial role in capturing societal norms through their portraits. "The Macaroni Painter" invites viewers to appreciate both artistry and historical context simultaneously. As we delve into this image, we are transported back to an era where fashion was more than just clothes; it was an expression of one's identity and status within society.

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