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The facial characteristics of a cheating, deceptive tempered person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a cheating, deceptive tempered person, 1808. Artist: Johann Kaspar Lavater


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The facial characteristics of a cheating, deceptive tempered person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a cheating, deceptive tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits. Physiognomy is the idea that a persons outer appearance may give insight to their character

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Media ID 14876715

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Bald Cheating Deception Expression Forehead Johann Caspar Lavater Johann Kaspar Johann Kaspar Lavater Lavater Monk Monks Nose Plotting Swiss Switzerland Temperament Print Collector4


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The Facial Characteristics of a Cheating, Deceptive-Tempered Person - A Glimpse into 19th Century Physiognomy

EDITORS COMMENTS
. This intriguing print from 1808, created by the talented artist Johann Kaspar Lavater, offers us a unique window into the concept of physiognomy. Lavater believed that one's outer appearance could provide valuable insights into their true character. In this particular portrait, we are presented with the facial features of an individual who possesses a cheating and deceptive temperament. The bald head and carefully styled hairstyle draw our attention to the face, where every detail seems to contribute to this person's untrustworthy nature. The expression on their face is marked by cunning and plotting, as if they are constantly scheming behind closed doors. The forehead furrowed with lines hints at a mind filled with deceitful thoughts. Notably, there is also religious symbolism present in this artwork. The subject appears as a monk, perhaps suggesting that even those within holy orders can harbor dishonest intentions. This juxtaposition challenges our preconceived notions about trustworthiness based solely on religious affiliation or outward appearance. As we delve deeper into this print from the 19th century Swiss artist Lavater, it becomes clear that his intention was not only artistic but also scientific in nature. By examining these physiognomical portraits closely, he aimed to unravel the mysteries hidden beneath each individual's exterior façade. With its vibrant colors and meticulous detailing capturing both physical attributes and psychological

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