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Esquisse pour le salon des Sciences de l'Hôtel de Ville de Paris : femme nue de dos... c.1889-1891. Creator: Eugene Carriere
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Esquisse pour le salon des Sciences de l'Hôtel de Ville de Paris : femme nue de dos... c.1889-1891. Creator: Eugene Carriere
Esquisse pour le salon des Sciences de l'Hotel de Ville de Paris : femme nue de dos, figure d'ecoincon, between 1889 and 1891
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Media ID 36238753
© Heritage Art/Heritage Images
Anatomical Anatomy Back Back View Bottom Buttocks Canvas Material Carriere Eugene Carriere Eugene Anatole Eugene Anatole Carriere Eugène Carrière Fin De Siecle Hotel De Ville Lying Lying Down Rear View Reclining Recumbent Salon Des Sciences Symbolist Town Hall
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Esquisse pour le salon des Sciences de l'Hotel de Ville de Paris - femme nue de dos,
EDITORS COMMENTS
or "Sketch for the Salon of the Sciences of the Paris Town Hall: Nude Woman from Behind," is a captivating oil painting created by the renowned French artist Eugène Carrière between 1889 and 1891. This masterpiece, a testament to the artist's exceptional skill and the era's fascination with the human form, is a striking example of Fin de Siècle Symbolism. The painting depicts a young woman lying recline on her stomach, her back exposed to the viewer. The woman's body, bathed in a golden light, is rendered with exquisite detail, revealing the intricacies of the human anatomy. The use of black and white contrasts, reminiscent of an anatomical drawing, adds to the painting's intrigue and depth. Carrière's masterful brushstrokes bring the woman's curves to life, with her voluptuous bottom and the subtle curves of her spine creating a sense of balance and harmony. The painting's title, "Salon des Sciences," suggests that this work was intended for exhibition in a scientific or educational institution, such as the Petit Palais in Paris, where Carrière's work was frequently displayed. This black and white oil on canvas painting is a powerful representation of the human form, showcasing Carrière's ability to capture the essence of the female body in all its complexity and beauty. The woman's nudity, far from being provocative, is a celebration of the natural form, a testament to the artist's appreciation for the human body and the intricacies of the anatomical structure. Esquisse pour le salon des Sciences de l'Hotel de Ville de Paris : femme nue de dos is a timeless work of art that continues to captivate and inspire viewers, a testament to Carrière's enduring legacy and the power of art to transcend time and culture.
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