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Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Creator: Honore Daumier
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Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Creator: Honore Daumier
Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Les bons bourgeois'. Well, Ravignard, if our wives could see us! it must be said that we are famously bad examples
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Media ID 36291174
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Alcohol Beer Billiard Cue Billiards Daumier Honore Daumier Honore Victorin Drinking Funny Glasses H Daumier Honore Daumier Honore Victorin Daumier Liquor Lithographic Public House Tavern Wine Lithotint Parody Satirical
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Dites donc, Ravignard, si nos femmes nous voyaient!
EDITORS COMMENTS
translates to "Well, Ravignard, if our wives could see us!" in English. This phrase is spoken by the chorus in a popular French operetta of the same name, penned by Adolphe Jaime and Hippolyte Moncel in 1851. The operetta satirically portrays the double lives men lead in society versus in their private spaces, particularly in the context of drinking and carousing. In this 19th century lithograph by Honore Daumier, the renowned French artist and caricaturist, we see a group of "bons bourgeois" or "good bourgeois" men, engrossed in their leisurely pursuits at a tavern. The scene depicts a lively pub atmosphere, with men playing billiards, drinking beer, and laughing it up. One man, Ravignard, is shown taking a sip from a glass, while another leans over the billiard table, intently focusing on his shot. The men are dressed in the fashion of the time, with some wearing bowler hats and others donning waistcoats and cravats. The black and white palette of the lithograph adds to the mood of the scene, creating a stark contrast between the light and dark areas. The use of strong lines and bold shapes is characteristic of Daumier's distinctive style. The title of the work serves as a commentary on the hypocrisy of societal expectations and the contrasting realities of men's public and private lives. The men in the image appear carefree and uninhibited, but the implication is that they would need to hide this side of themselves from their wives and families. This lithograph is a testament to the power of satire and the enduring relevance of the themes it explores. It is a humorous and insightful look into the lives of men in the 19th century, and continues to resonate with audiences today. Whether viewed in an art gallery or art centre, this work is a valuable addition to the heritage of French art and culture.
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