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Distribution of goods to the Gros Ventres 26 August 1853 (1856). Artist: John Mix Stanley
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Distribution of goods to the Gros Ventres 26 August 1853 (1856). Artist: John Mix Stanley
Distribution of goods to the Gros Ventres, 26 Augiust 1853 (1856). Isaac Stevens distributes goods to the Gros Ventre on the banks of the Milk River in Montana. Print from Reports of Explorations and Surveys to Ascertain the Most Practicable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean made under the direction of the Secretary of War in 1853-1855, by Beverley Tucker, volume III, published by Sarony, Major and Knapp (Washington, 1856)
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Media ID 14936952
© The Print Collector / Heritage-Images
Beverley Beverley Tucker Distributing Distribution Gros Ventre Isaac John Mix John Mix Stanley Major And Knapp Pacific Railroad Pacific Railroad Survey Sarony Stanley Stevens Supplies Tent Tents Tucker Waiting
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EDITORS COMMENTS
This print captures a significant moment in American history - the distribution of goods to the Gros Ventres on 26 August 1853. Painted by renowned artist John Mix Stanley, this lithograph showcases the scene where Isaac Stevens, under the direction of the Secretary of War, distributes supplies to the Native American tribe on the banks of Montana's Milk River. The image depicts a row of Gros Ventre people patiently waiting for their share of provisions. The vibrant colors and attention to detail bring out the essence of this 19th-century countryside location. Tents dotting the landscape serve as temporary shelters while supplies are being distributed. This artwork is part of a series published in Reports of Explorations and Surveys to Ascertain the Most Practicable and Economical Route for a Railroad from Mississippi River to Pacific Ocean. It reflects an important aspect of America's westward expansion during that era - establishing connections through railroads. As we observe this lithograph, it reminds us not only of historical events but also highlights cultural interactions between Native Americans and settlers during that time period. Through Stanley's skilled brushstrokes, we gain insight into both sides' perspectives: one seeking essential resources, while another embarks on nation-building endeavors. Overall, this print serves as a visual testament to our country's past and invites contemplation about its impact on native communities and their way-of-life amidst rapid changes brought forth by progress.
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