John Mix Stanley Collection

Herd of Bison Near Lake Jessie, North Dakota, USA, 1856. Artist: John Mix Stanley
Herd of Bison Near Lake Jessie, North Dakota, USA, 1856. A large herd of buffalo graze near Lake Jessie in North Dakota. Print from Reports of Explorations

The Black Forest Mount Hope and Sierra Prieta, USA, 1856. Artist: E Stout
The Black Forest Mount Hope and Sierra Prieta, USA, 1856. Print from Reports of Explorations and Surveys to Ascertain the Most Practicable

Ko-rak-koo-kiss, a Towoccono Warrior, 1844. Creator: John Mix Stanley
Ko-rak-koo-kiss, a Towoccono Warrior, 1844

Berniah Willet, ca. 1853. Creator: John Mix Stanley
Berniah Willet, ca. 1853

Emeline Willet, ca. 1853. Creator: John Mix Stanley
Emeline Willet, ca. 1853

Buffalo Hunt on the Southwestern Prairies, 1845. Creator: John Mix Stanley
Buffalo Hunt on the Southwestern Prairies, 1845

The Williamson Family, ca. 1841-42. Creator: John Mix Stanley
The Williamson Family, ca. 1841-42

Grand Coulee, Washington, USA, 1856. Artist: Gustav Sohon
Grand Coulee, Wahington, USA, 1856. A view of the Grand Coulee that extends from the head of present-day Grand Coulee Dam over fifty miles southwest to Ephrata, Washington

Camp Stevens, looking westward, Montana, USA, 1856. Artist: Gustav Sohon
Camp Stevens, looking westward, Montana, USA, 1856. Camp Stevens served as a base for metereological observation and side explorations in the Rocky Mountains for the United States Pacific Railroad

Distribution of goods to the Gros Ventres 26 August 1853 (1856). Artist: John Mix Stanley
Distribution of goods to the Gros Ventres, 26 Augiust 1853 (1856). Isaac Stevens distributes goods to the Gros Ventre on the banks of the Milk River in Montana

Milk River, with Bears Paw Mountain in the distance, Montana, USA, 1856. Artist: John Mix Stanley
Milk River, with Bears Paw Mountain in the distance, Montana, USA, 1856. Print from Reports of Explorations and Surveys to Ascertain the Most Practicable

Crossing the Hellgate River, 6 January 1854 (1856). Artist: John Mix Stanley
Crossing the Hellgate River, 6 January 1854 (1856). Print from Reports of Explorations and Surveys to Ascertain the Most Practicable

The Rocky Mountains, looking westward, USA, 1856. Artist: John Mix Stanley
The Rocky Mountains, looking westward, USA, 1856. The United States Pacific Railroad Survey party crosses an area west of present-day Helena, Montana

Cheyenne River, USA, 1856. Artist: John Mix Stanley
Cheyenne River, USA, 1856. Members of the United States Pacific Railroad Survey exploration party camp near the Cheyenne River in present day North Dakota

Hot Springs at their source in Lou Lou Fork, Bitterroot Mountains, Montana, USA, 1856. Artist: John Mix Stanley
Hot Springs at their source in Lou Lou Fork, Bitterroot Mountains, Montana, USA, 1856. A print from Reports of Explorations and Surveys to Ascertain the Most Practicable

The Marias River, Montana, USA, 1856. Artist: John Mix Stanley
The Marias River, Montana, USA, 1856. Looking up the Marias River to Fort Benton on a bluff above the river in central Montana

Milk River, Near Junction of Missouri, 1856. Artist: John Mix Stanley
Milk River, Near Junction of Missouri, 1856. View of the Milk River near the junction of the Missouri River in Montana on August 18, 1853

Columbia River, Junction of the Des Chutes, 1856. Artist: John Mix Stanley
Columbia River, Junction of the Des Chutes, 1856. The Columbia River at the junction of the Deschutes River near present-day Maryhill, Washington

Fort Owen, Flathead Village, USA, 1856. Artist: John Mix Stanley
Fort Owen, Flathead Village, USA, 1856. The United States Pacific Railroad Survey party at Fort Owen near present-day Stevensville in the Bitterroot Valley of Montana

Awaiting the Return Of Mr Tinkham, 1856. Artist: John Mix Stanley
Awaiting the Return Of Mr Tinkham, 1856. Members of the United states Pacific Railroad Survey at camp near the Hell Gate River three miles above its junction with the Bitterroot in Montana

Fort Okinakane, USA, 1856. Artist: John Mix Stanley
Fort Okinakane, USA, 1856. View of Fort Okanogan (Okinakane) located on the Okanogan River one half mile upstream from the confluence with the Columbia River in present-day Okanogan County

A Cotton Wood Grove, 1856. Artist: John Mix Stanley
A Cotton Wood Grove, 1856. Members of the Isaac Stevens United States Pacific Railroad Survey party camp in a grove of cottonwood trees on the Milk River, Montana on August 18th, 1853

Fort Benton, Montana, USA, 1856. Artist: John Mix Stanley
Fort Benton, Montana, USA, 1856. Members of the Stevens United States Railroad Survey arrive at Fort Benton near the Great Bend of the Missouri River in North Central Montana

Toro-Mucho, chief of a band of Kioways, 1856. Artist: John Mix Stanley
Toro-Mucho, chief of a band of Kioways, 1856. Print from Reports of Explorations and Surveys to Ascertain the Most Practicable

Council with White Mans Horse, 1856. Artist: John Mix Stanley
Council with White Mans Horse, 1856. Isaac Stevens, head of the United States Pacific Railroad Survey, meets with White Mans Horse, chief of the party of Blackfeet Indians

All Professionally Made to Order for Quick Shipping

John Mix Stanley was an American artist who captured the beauty and diversity of the American landscape in the mid-19th century. His paintings depicted various scenes, from majestic mountain ranges to Native American warriors. In "Herd of Bison Near Lake Jessie, North Dakota, " Stanley skillfully portrayed a vast herd of bison grazing near the tranquil lake. The painting showcases his attention to detail and ability to capture the essence of wildlife in its natural habitat. "The Black Forest Mount Hope and Sierra Prieta" transports viewers into a dense forest, where towering trees create an enchanting atmosphere. Stanley's use of light and shadow adds depth to this captivating piece. One of his most notable works is "Ko-rak-koo-kiss, a Towoccono Warrior. " This portrait depicts a proud Native American warrior adorned with traditional attire. Through intricate brushstrokes, Stanley conveys both strength and vulnerability in this powerful representation. Stanley also had a talent for portraiture as seen in "Berniah Willet" and "Emeline Willet. " These intimate portraits capture the subjects' individuality with remarkable precision, showcasing their unique personalities through facial expressions and clothing choices. In "Black Knife, an Apache Warrior, " Stanley captures the fierce determination etched on the warrior's face. The painting serves as a testament to his ability to convey emotion through art. Another masterpiece by Stanley is "Buffalo Hunt on the Southwestern Prairies, " which portrays Native Americans hunting buffalo amidst breathtaking landscapes. This dynamic scene reflects both cultural traditions and harmony with nature. "The Williamson Family" offers insight into domestic life during that era. It depicts a family gathered together, radiating warmth and love while highlighting societal norms at that time. Stanley's collaboration with Gustav Sohon resulted in stunning landscapes such as "Grand Coulee" and "Camp Stevens. " These paintings transport viewers across vast expanses filled with natural wonders that were yet untouched by industrialization.