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The bruising match, 1730

The bruising match, 1730


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The bruising match, 1730

The bruising match, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Heritage Images features heritage image collections

Media ID 14917294

© The Print Collector / Heritage-Images

Aggression Aggressive Agression Boxer Boxing Emily Morse Emily Morse Symonds Fight George Paston Heemskerck Match Paston Pugilism Pugilist Referee Symonds Van Heemskerck Bruising


The Bruising Match, 1730 - A Glimpse into the Aggressive World of 18th Century Boxing

EDITORS COMMENTS
. This print takes us back to a bruising match that unfolded in Britain during the year 1730. The image, captured by an unknown creator and later illustrated by George Paston (the pseudonym of Emily Morse Symonds), offers a fascinating glimpse into the aggressive sport of boxing in the eighteenth century. In this intense scene, we witness two male pugilists engaged in a fierce battle within a makeshift ring. Their muscular bodies glisten with sweat as they exchange powerful blows, showcasing their strength and determination. The referee watches closely, ready to intervene if necessary. The monochrome composition enhances the rawness and intensity of the fight, emphasizing every bruise and mark on their faces. It transports us to an era where physical combat was not only accepted but celebrated as a test of manhood and skill. As we observe this historical moment frozen in time, we are reminded of the concept of aggression deeply embedded in human nature throughout centuries. This print serves as both an artistic representation and documentation of one such brutal encounter from long ago. With over two hundred illustrations by George Paston included in Social Caricature in the Eighteenth Century. . . With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds), this particular piece stands out for its depiction of unyielding determination amidst chaos—a testament to our enduring fascination

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