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Greetings Card : The Painters easel, 1686 (oil on canvas)

The Painters easel, 1686 (oil on canvas)




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The Painters easel, 1686 (oil on canvas)

XIR415738 The Painters easel, 1686 (oil on canvas) by Forbera, Antonio (d.1690); 161.5 x 94.5 cm; Musee Calvet, Avignon, France; (add.info.: Trompe-l oeil; Le Chevalet du peintre; both the drawing and painting below are copies of the Realm of Flora painted 1630-31 by Nicolas Poussin (see 216224); ); Italian, out of copyright

Media ID 12877947

© www.bridgemanimages.com

Trompe Loeil


Greetings Card (A5)

Bring a touch of timeless elegance to your correspondence with our exquisite range of greeting cards from Media Storehouse. This card features an enchanting image of "The Painter's Easel, 1686" by Antonio Forbera, as captured by Bridgeman Images from Fine Art Finder. The intricate details of the oil on canvas painting transport you back in time, making each card a work of art in its own right. Perfect for special occasions or simply to brighten someone's day, our cards are sure to leave a lasting impression. Add a personal message and send a piece of history straight to their doorstep.

Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Image Size (if not cropped) is 14.5cm x 21cm (5.7" x 8.3")

Estimated Product Size is 29cm x 21cm (11.4" x 8.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


The Painter's Easel, 1686

EDITORS COMMENTS
is a mesmerizing trompe-l'oeil masterpiece that showcases the extraordinary skill and creativity of Antonio Forbera. This oil on canvas print, measuring 161.5 x 94.5 cm, captures the essence of illusion with its meticulous attention to detail. In this artwork, Forbera ingeniously replicates an artist's easel adorned with various tools and materials used in painting. The level of realism achieved is truly remarkable; one could easily mistake it for a three-dimensional object rather than a two-dimensional painting. The focal point of the composition is a stunning copy of Nicolas Poussin's "Realm of Flora" painted between 1630-31. Forbera pays homage to Poussin by meticulously recreating both the drawing and painting below the easel. This tour de force not only highlights Forbera's technical prowess but also serves as a testament to his deep admiration for art history. By incorporating elements from Poussin's renowned work into his own creation, he blurs the lines between originality and imitation. Displayed at Musee Calvet in Avignon, France, this print invites viewers into an enchanting world where reality seamlessly merges with artistic imagination. It serves as a reminder that art has the power to transport us beyond our everyday experiences and immerse us in realms crafted solely by human ingenuity.

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