Glass Place Mat : Millets Son in Dock
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Millets Son in Dock
J C Millet, son of Jean Francois Millet, is accused of forging paintings by his father for which he is tried at Senna. To date we have been unable to learn any more. Date: 1930
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Media ID 14098028
© Mary Evans Picture Library
Accused Date Dock Forging Francois Learn Millet Paintings Senna Unable Millets
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 19.6cm x 25.4cm (7.7" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This intriguing photograph captures a pivotal moment in the controversial life of Jules Millet, the son of renowned French painter Jean-Francois Millet. The image, dated 1930, shows Jules Millet standing before a dock, surrounded by a crowd of people. At the time, Jules was on trial in Senna for allegedly forging paintings attributed to his famous father. Jean-Francois Millet, a leading figure in the Barbizon School of French painting, was known for his realistic depictions of rural life. His works, which included "The Angelus" and "The Gleaners," were highly sought after by collectors and art enthusiasts. However, as Millet's health began to decline in the late 19th century, concerns arose about the authenticity of certain paintings that emerged on the market. Jules Millet, who had been assisting his father in his studio, was eventually accused of producing these forgeries. The allegations were serious, and the trial in Senna drew widespread attention. Jules maintained his innocence, but the evidence against him was circumstantial, and the outcome of the trial remains uncertain to this day. Despite the controversy surrounding his involvement in the forgeries, Jules Millet continued to paint and exhibit his own works. However, they were not received with the same acclaim as his father's, and he is now largely forgotten by art history. This photograph, taken during the height of the scandal, offers a glimpse into a complex and intriguing chapter in the lives of both father and son.
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