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Glass Place Mat : Ottoman man standard Numismata virorum illustrium ex Barbadica gente
Home Decor from Liszt Collection
Ottoman man standard Numismata virorum illustrium ex Barbadica gente
Ottoman man with standard Numismata virorum illustrium ex Barbadica gente (series title), A console with an Ottoman man. He is lying on a drum and weaponry. In his hand a banner with olive branch. The print is part of an album, Asiatic races and peoples: Turkish, Robert van Audenaerd (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 183 mm × w 180 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19544587
© Artokoloro
1673 1743 Album Asiatic Races Banner Console Drum Hand Lying Olive Branch Peoples Series Title Turkish Weaponry Mentioned Robert Van Audenaerd
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.5cm x 25.4cm (8.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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> Animals
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> Cats (Domestic)
> Turkish Van
> Asia
> Turkey
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> Europe
> Italy
> Lazio
> Rome
EDITORS COMMENTS
This print from the Liszt Collection showcases an Ottoman man in all his regal glory. The image captures a moment of stillness and power as he reclines on a drum, surrounded by weaponry that speaks to his strength and authority. In his hand, he holds a banner adorned with an olive branch, symbolizing peace and prosperity. Part of the larger album titled "Asiatic races and peoples: Turkish" this print is a testament to the rich cultural heritage of the Ottoman Empire. Created by Robert van Audenaerd, a renowned artist from Rome between 1673 and 1743, this engraving beautifully portrays the essence of this influential era. The composition expertly highlights both the individuality of the Ottoman man and his connection to broader historical narratives. His confident posture exudes pride while also inviting viewers to explore deeper into the complexities of Turkish history. This remarkable artwork serves as a window into another time, allowing us to appreciate not only its aesthetic beauty but also its historical significance. It reminds us that art has always been intertwined with culture and politics, providing insight into diverse civilizations throughout history
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