Glass Place Mat : Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus
Home Decor from Liszt Collection
Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus
Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus se plaint a Jupiter de la tempete que Junon a excitee contre Enee, engraving
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12902722
© Quint Lox Limited
1687 1741 Elisabeth Henri Jupiter Simon Thomassin Venus Cheron Contre Enee Junon Sophie Tempete
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.5cm x 25.4cm (8.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
In this photo print, we are transported to a mythical world where Henri Simon Thomassin beautifully captures the essence of Venus in his engraving after Elisabeth Sophie Cheron. The scene depicts Venus lamenting to Jupiter about the tempest that Junon has stirred against Enee. Thomassin's intricate detailing and skillful use of lines bring out the emotions and drama within this classical narrative. Venus, portrayed with grace and vulnerability, pleads her case before Jupiter, seeking solace from the storm that threatens her beloved Enee. Elisabeth Sophie Cheron's original work serves as an inspiration for Thomassin's interpretation, showcasing their artistic collaboration across time. Through this print, we witness their shared vision coming to life as they breathe new energy into a timeless tale. Quint Lox expertly captures every nuance of this remarkable artwork through his lens. His attention to detail allows us to appreciate the delicate textures and subtle shading present in Thomassin's engraving. This print becomes more than just a reproduction; it becomes a testament to Quint Lox's ability to preserve art in its purest form. As we gaze upon this mesmerizing piece from the Liszt Collection, we are reminded of the enduring power of mythology and artistry throughout history. It invites us to explore our own emotions and connect with ancient tales that continue to resonate today.
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