Fraud Blocker Skip to main content

Thomassin Collection

"Thomassin: A Journey into Mythology and Art" Step back in time with Thomassin, a captivating collection of engravings that transport you to the era of Louis XIV

Background imageThomassin Collection: Louis XIV (1638-1715). King of France. Engraving. Colored

Louis XIV (1638-1715). King of France. Engraving. Colored
Louis XIV (1638-1715). King of France. Engraving by Simon Thomassin 1652-1732. Historia Universal, 1885. Colored

Background imageThomassin Collection: Portrait of the composer Michel-Richard de Lalande (1657-1726)

Portrait of the composer Michel-Richard de Lalande (1657-1726), . Creator: Thomassin, Henri Simon (1687-1741)
Portrait of the composer Michel-Richard de Lalande (1657-1726). Private Collection

Background imageThomassin Collection: Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown

Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown
Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Warrior Pulling a Rider from His Horse, from 'Ex Antiquis Camorum et Ge

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Camorum et Ge
Warrior Pulling a Rider from His Horse, from " Ex Antiquis Camorum et Gemmae Delineata", published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown

Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown
Woman with Shield Seated on Seamonster, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown

Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown
Three Cupids and Two Dolphins, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown

Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown
Man with Wing; Man with Vase and Dog, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown
A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown

Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown
Two Women and Two Cupids, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622

Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown

A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown
A Woman Collecting Blood from a Sheep, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown

Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown
Female Nude with Two Seahorses, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown

Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown
Man with Torch at Temple Door, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown

Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown
Sacrifice of a Swan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622

Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown

Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown
Two Lovers with Pan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown

Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown
Man and Woman Sacrificing a Goat, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622

Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown

Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown
Figure with Pig and Serpent, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown

Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown
Man Attended by Three Women, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown

Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown
Woman on Rearing Horse, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Ram, published ca. 1599-1622. Creator: Unknown

Ram, published ca. 1599-1622. Creator: Unknown
Ram, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown

Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown
Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown

Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown
Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: The Entombment, 1589. Creator: Philippe Thomassin

The Entombment, 1589. Creator: Philippe Thomassin
The Entombment, 1589

Background imageThomassin Collection: Allegorical thesis print with various figures, set in an architectural structure, 1608

Allegorical thesis print with various figures, set in an architectural structure, 1608

Background imageThomassin Collection: Battle Lapiths Passeri Bernardino 1540-1596 Thomassin

Battle Lapiths Passeri Bernardino 1540-1596 Thomassin
Battle of the Lapiths, Passeri, Bernardino, ca. 1540-1596, Thomassin, Philippe, 1562-1622, Engraving, between 1617 and 1619

Background imageThomassin Collection: A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622

A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca

Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca
Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis. published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageThomassin Collection: Drawings Prints, Drawing, Melancholia, Artist, Henri Simon Thomassin, Domenico Fetti

Drawings Prints, Drawing, Melancholia, Artist, Henri Simon Thomassin, Domenico Fetti
Drawings and Prints, Drawing, Melancholia, Artist, After, Henri Simon Thomassin, Domenico Fetti, French, Paris 1687-1741, Italian, Rome ()

Background imageThomassin Collection: Apollo seated right lyre pointing kneeling man

Apollo seated right lyre pointing kneeling man
Artokoloro

Background imageThomassin Collection: Philippe Thomassin, French (1562-1622), The Fall of the Rebellious Angels, 1618

Philippe Thomassin, French (1562-1622), The Fall of the Rebellious Angels, 1618, engraving

Background imageThomassin Collection: Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus

Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus se plaint a Jupiter de la tempete que Junon a excitee contre Enee, engraving



All Professionally Made to Order for Quick Shipping

"Thomassin: A Journey into Mythology and Art" Step back in time with Thomassin, a captivating collection of engravings that transport you to the era of Louis XIV. These vibrant colored prints depict scenes from ancient mythology, showcasing the artistic brilliance of the 17th century. Immerse yourself in the enchanting world as Two Figures, a Faun, and a Satyr approach a Reclining Woman. Published between 1599-1622, this masterpiece captures the allure and sensuality of classical tales. Marvel at Man Grappling with Winged Horse; an unknown creator's work that exudes strength and determination. The intricate details bring this mythical struggle to life, leaving you captivated by its power. Intrigue meets harmony as Man Playing Two Flutes and Woman on Lionskin takes center stage. Created by an anonymous artist during the same period, it showcases music's ability to unite souls amidst nature's beauty. Witness bravery unfold in Warrior Pulling a Rider from His Horse; part of "Ex Antiquis Camorum et Ge. " This intense battle scene reminds us of humanity's eternal struggle for dominance throughout history. Delve into feminine strength with Woman with Shield Seated on Seamonster. An unknown artist masterfully portrays her poised elegance atop this majestic creature - an embodiment of grace under pressure. Experience love personified through Three Cupids and Two Dolphins; their playful dance immortalized forever. These cherubic beings remind us that even in turbulent times, love remains constant. Man with Wing; Man with Vase and Dog reveals two contrasting figures - one ethereal being juxtaposed against earthly desires. Their coexistence symbolizes our perpetual quest for balance between spirituality and materialism. Indulge your senses as Woman and Man Seated on Lionskin come alive before your eyes while pouring wine together. This intimate moment captured during Louis XIV's reign speaks volumes about human connection and shared pleasure.