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Glass Place Mat : Yoshitsune ichidaiki Gojo-no-hashi no zu, ca 1839. Creator: Kuniyoshi, Utagawa (1797-1861)
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Yoshitsune ichidaiki Gojo-no-hashi no zu, ca 1839. Creator: Kuniyoshi, Utagawa (1797-1861)
Yoshitsune ichidaiki Gojo-no-hashi no zu (The fight between Yoshitsune and Benkei on the Gojo Bridge), ca 1839. Private Collection
Heritage Images features heritage image collections
Media ID 15513238
© Fine Art Images / Heritage-Images
Benkei Colour Woodcut Far East Japanese Art Kuniyoshi The Oriental Arts Utagawa 1797 1861 Yoshitsune
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 12.2cm (10" x 4.8")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print, titled "Yoshitsune ichidaiki Gojo-no-hashi no zu" transports us back to the Edo period in Japan. Created by the talented artist Utagawa Kuniyoshi in 1839, this colour woodcut is a true masterpiece of Japanese art. The image depicts a legendary battle between two iconic figures from Japanese folklore: Yoshitsune and Benkei. The scene takes place on the famous Gojo Bridge, where these formidable warriors engage in an intense struggle. Their dynamic poses and expressions reveal their strength and determination as they clash with weapons drawn. Kuniyoshi's attention to detail is evident in every brushstroke, capturing the essence of this mythical encounter. The vibrant colors bring life to the composition, while delicate lines create depth and movement within the print. As we gaze upon this artwork, we are transported into a world of mythology and adventure. It serves as a reminder of Japan's rich cultural heritage and its fascination with heroic tales passed down through generations. This particular print is part of a private collection that cherishes fine art images from Asia. Its presence offers us an opportunity to appreciate not only Kuniyoshi's skill but also the enduring beauty found within ukiyo-e woodcuts. "Yoshitsune ichidaiki Gojo-no-hashi no zu" stands as a testament to both Kuniyoshi's artistic prowess and his ability to capture stories that have captivated audiences for centuries.
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