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Glass Place Mat : The Entombment, c15th century (1849). Artist: Plon Freres
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The Entombment, c15th century (1849). Artist: Plon Freres
The Entombment, c15th century (1849). A 19th century version based on a c15th century original found in the collection of M Quedeville, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)
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Media ID 14938356
© The Print Collector / Heritage-Images
A Rivaud Coffin Crucified Crucifix Crucifixion Entombment Ferdinand Ferdinand Sere Follower Freres Golgotha Lacroix Laying Paul Paul Lacroix Rivaud Sadness Saviour Sere Sorrow Mausoleum Plon
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 16.7cm x 25.4cm (6.6" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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The Entombment, c15th century (1849) - A Glimpse into Christian Sorrow and Devotion
EDITORS COMMENTS
. This print of "The Entombment" takes us back to the 15th century, capturing a moment of profound sadness and sorrow. Created by Plon Freres in the 19th century, this version is based on an original artwork found in the collection of M Quedeville in Paris. The image portrays the crucifixion scene with great depth and emotion. The concept of death is beautifully depicted as we witness followers laying Jesus Christ's body to rest inside a tomb. The Golgotha hill looms behind them, serving as a reminder of the sacrifice made for humanity's salvation. Religious symbolism permeates every detail: from the crucifix itself to the mausoleum-like structure that houses Christ's burial place. This engraving evokes strong feelings of devotion among those who contemplate it, reminding us of our own mortality and inspiring reflection on faith. Rendered in monochrome, this nineteenth-century print captures both the solemnity and timelessness inherent in religious art. It transports us back centuries ago when Christianity was at its core, inviting contemplation on themes such as redemption and eternal life. With Paul Lacroix, Ferdinand Sere, A Rivaud contributing their expertise to Le Moyen Age et la Renaissance series published in 1849; this print stands as a testament to their dedication towards preserving historical master
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