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Glass Place Mat : Three Giants with a group of spectators, 1784 (engraving)
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Three Giants with a group of spectators, 1784 (engraving)
XJF2906489 Three Giants with a group of spectators, 1784 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay, with biographical sketches and illustrative anecdotes
Andrew Bell, the engraver, and Edinburgh locals gawp at Charles Byrne with 2 other Irish giants, the Knipe brothers.); Scottish, out of copyright
Media ID 12812007
© www.bridgemanimages.com
Bell Dwarf Edinburgh Enlightenment Etching Giant Hanoverian Irish Giant Large Scottish Enlightenment Size Small Social Life Tall Byrne
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.2cm x 25.4cm (8.7" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This engraving, titled "Three Giants with a group of spectators, 1784" takes us back to the vibrant social life of 18th century Edinburgh during the Scottish Enlightenment. The print showcases an intriguing gathering where Andrew Bell, the skilled engraver himself, and curious locals from Edinburgh find themselves in awe of three extraordinary individuals. At the center of attention stands Charles Byrne, an Irish giant whose towering stature captivates all who lay eyes upon him. Flanking him are the Knipe brothers, two other remarkable Irish giants who add to the spectacle. This unusual trio commands both fascination and respect as they become subjects for John Kay's series of original portraits and caricature etchings. The scene is filled with contrasting figures - tall and dwarfed men side by side - highlighting not only physical differences but also societal perceptions during this era. The artist skillfully captures this momentous encounter between ordinary people and these larger-than-life characters. As we delve into this historical image, we witness a fascinating intersection between artistry and curiosity. It serves as a testament to human intrigue towards those who defy conventional norms or possess exceptional qualities. Through this engraving, we are transported back in time to experience firsthand how society grappled with notions of size, identity, and diversity during the Georgian period.
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