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Glass Place Mat : Elevation of Pedestal Entablature of the Arch at Tripoli

Elevation of Pedestal Entablature of the Arch at Tripoli



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Elevation of Pedestal Entablature of the Arch at Tripoli

XYC289231 Elevation of Pedestal Entablature of the Arch at Tripoli (pen & ink and grey wash over graphite on paper) by Bruce, James (Abyssinian Bruce) (1730-94); Yale Center for British Art, Paul Mellon Collection, USA; British, out of copyright

Media ID 22943470

© Bridgeman Images

Acanthus Leaves Architectural Drawing Corinthian Order Details Entablature Feature Grand Tour Marcus Aurelius


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 19.6cm x 25.4cm (7.7" x 10")

Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Carl Larsson

> Fine Art Finder > Artists > James (1730-94) Bruce

> Fine Art Finder > Designs, Plans, Ceilings, Floors &

> Architecture > Drawings

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman

> Arts > Realistic drawings > Graphite art > Fine art

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This print showcases the intricate details of the "Elevation of Pedestal Entablature of the Arch at Tripoli" by James Bruce. The artist's pen and ink, along with grey wash over graphite on paper, beautifully capture the essence of this ancient architectural masterpiece. The image transports us to a time when acanthus leaves adorned imperial structures, evoking a sense of grandeur and opulence. The Corinthian order column stands tall and proud, its design reflecting the sophistication and elegance that defined Roman architecture. As we delve into this architectural drawing, we are reminded of the significance of Rome during its heyday. The entablature serves as a reminder of Marcus Aurelius' reign, showcasing his influence on monumental structures. This print is not just an artistic representation; it also holds historical importance. It takes us back to an era when travelers embarked on grand tours to witness firsthand these remarkable feats of human ingenuity. Displayed in Yale Center for British Art's Paul Mellon Collection in the USA, this piece invites us to appreciate both the beauty and complexity inherent in ancient architecture. Its presence reminds us that even centuries later, these masterpieces continue to inspire awe and admiration.

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