Acanthus Leaves Collection

Virgin and Child, c.1530-c.1540. Creator: Adriaen Isenbrandt
Virgin and Child, c.1530-c.1540. Other Title(s): Madonna and Child. The marble niche in which the Virgin and the Child are seated is a veritable sample-book of the modern Renaissance style

Acanthus Leaves, Birds and Insects, no. CCCLXXII ("Designs for Various Ornaments, ... April 1, 1792)
Acanthus Leaves, Birds and Insects, no. CCCLXXII ("Designs for Various Ornaments, " pl. 57), April 1, 1792

The International Exhibition: stove by Messrs. Feetham and Co. 1862. Creator: Unknown
The International Exhibition: stove by Messrs. Feetham and Co. 1862. This work...is very simple, and yet, at the same time, exceedingly beautiful; indeed

The staircase, Cassiobury Park, Hertfordshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311729 The staircase, Cassiobury Park, Hertfordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Initial Letter V (Column) to Volpone, 1898. Creator: Aubrey Beardsley
Initial Letter V (Column) to Volpone, 1898. Illustration for an edition of Ben Jonsons eponymous comedy play, published by Leonard Smithers

Potpourri Vase, Chantilly, c. 1745. Creator: Chantilly Porcelain Manufactory
Potpourri Vase, Chantilly, c. 1745

Panel (Formerly a Furnishing Textile), England, c. 1895 / 1900
Panel (Formerly a Furnishing Textile), England, c. 1895/1900. Designed by Sidney Mawson. Probably produced by Turnbull & Stockdale

Pitcher, 1827 / 48. Creator: Baldwin Gardiner
Pitcher, 1827/48. Acanthus leaf decoration. Retailed by Baldwin Gardiner

Pitcher, 1833. Creator: John B. Jones & Company
Pitcher, 1833. Relief design of acanthus leaves

Two-Handled Covered Cup, 1698 / 1720. Creator: Cornelius Kierstede
Two-Handled Covered Cup, 1698/1720. Silver cup with lid, two handles with leaf designs, used to serve syllabub, a sweetened or flavoured wine, cider, beer, or ale into which milk was whipped

Acanthus, England, 1876 (produced 1877 / 1917). Creator: William Morris
Acanthus, England, 1876 (produced 1877/1917)

Acanthus (Formerly a Furnishing Textile) from the John J. Glessner House, Chicago, 1876
Acanthus (Formerly a Furnishing Textile) from the John J. Glessner House, Chicago, England, 1876 (produced 1887/1917)

Secretary-bookcase, 1825-35 (ebonized mahogany with gilding, brass and glass)
3492860 Secretary-bookcase, 1825-35 (ebonized mahogany with gilding, brass and glass) by American School, (19th century); 259 high cm; Metropolitan Museum of Art, New York

Famille Verte Cung Vase, Kangxi period (1662-1722) (porcelain) (see also 272198
HSC272197 Famille Verte Cung Vase, Kangxi period (1662-1722) (porcelain) (see also 272198) by Chinese School, Qing Dynasty (1644-1912); height

Elevation of Pedestal Entablature of the Arch at Tripoli
XYC289231 Elevation of Pedestal Entablature of the Arch at Tripoli (pen & ink and grey wash over graphite on paper) by Bruce, James (Abyssinian Bruce) (1730-94); Yale Center for British Art

Byzantine capitals from columns in the nave of the church of St
STC83214 Byzantine capitals from columns in the nave of the church of St. Demetrius in Thessalonica, pub. by Day & Son (litho) by Texier

"Leicester"wallpaper, designed by John Henry Dearle (1860-1932
WMA82926 " Leicester" wallpaper, designed by John Henry Dearle (1860-1932) for Morris and Company, 1911 by Dearle, John Henry (1860-1932); Private Collection; English, out of copyright

A statue between two columns (photo)
JFS249968 A statue between two columns (photo) by Roman, (1st century BC); Merida, Badajoz, Spain; (add.info.: Merida formerly Augusta Emerita; ); eJohn Ferro Sims; out of copyright

Corinthian style capital (photo)
GDG287819 Corinthian style capital (photo) by Roman, (3rd century AD); Volubilis, Morocco; (add.info.: archeological; town annexed by Roman in 40 AD; feuille d acanthe; colonne; chapiteau corinthien;)

Section and elevation of a composite column designed by Andrea Palladio (1508-80
XIR252712 Section and elevation of a composite column designed by Andrea Palladio (1508-80) engraved by de La Boissiere, illustration from Traite d architecture (engraving) (b/w photo) by Blondel

A carved ruby red Vase, Qianlong period (1736-95) (coloured glass)
HSC272126 A carved ruby red Vase, Qianlong period (1736-95) (coloured glass) by Chinese School (18th century); height:16.7 cm; Private Collection; (add.info)

The Vase of the Medici, 1656. Creator: Stefano della Bella
The Vase of the Medici, 1656

Jerusalem, pres de la porte de Jaffa, chap. 1842-44

[Study of Leaves on a Background of Floral Lace], 1864. Creator: Charles Aubry
[Study of Leaves on a Background of Floral Lace], 1864

Loggia of the Ducal Palace, Venice, 1849-50. Creator: John Ruskin
Loggia of the Ducal Palace, Venice, 1849-50

Design for a Casket with the Gonzaga Eagle, ca. 1527-46. Creator: Giulio Romano
Design for a Casket with the Gonzaga Eagle, ca. 1527-46

Decoration in the church of Santa Maria Maggiore, Rome, Italy, (1928). Creator: Unknown
Decoration in the church of Santa Maria Maggiore, Rome, Italy, (1928). About 1290...The Lamb surrounded by acanthus scrolls...there is documentary evidence that Nicholas IV

Bronze hand bell, c1530-c1570, (1881). Creator: W E Mackaness
Bronze hand bell, c1530-c1570, (1881). Etching of a small bell with the arms of the Lippomani family of Venice, made in Italy (probably the Veneto), in the mid 16th century

Esemplario di lavori, page 6 (recto), August 1529. August 1529
Esemplario di lavori, page 6 (recto), August 1529

Double Goblet Acanthus-Leaves Etching Sheet 8 3 / 8
Artokoloro

Horizontal Panel Design Two Male Figures Playing Horns Interspersed
Artokoloro

Rear View Elaborate Design Carriage Acanthus Leaves
Artokoloro

Rear View Elaborate Design Carved Wooden Carriage
Artokoloro

Speculum Romanae Magnificentiae Vase Encircled
Artokoloro

Horizontal Panel Design Five Hybrid Creatures
Artokoloro

Ornamental Design Acanthus Leaves recto Capital
Artokoloro

Horizontal Panel Design Sphinx Two Putti Lionesque Fantastical Creature Interspersed
Artokoloro

Horizontal Panel Design Male Figure Lion Interspersed
Artokoloro

Horizontal Panel Design Young Man Fantastical Creature Interspersed
Artokoloro

Horizontal Panel Design Man fighting Sphinx Fantastical Creature Interspersed
Artokoloro

Horizontal Panel Design Man Snake Female Fantastical Creatures Interspersed
Artokoloro

Double Goblet Flutes Acanthus-Leaves Etching
Artokoloro

Horizontal Panel Design Man Two Fantastical Creatures Interspersed
Artokoloro

Nymph Playing Horn recto Bracket Man Head verso
Artokoloro

Design Door Knocker 16th century Pen brown ink
Artokoloro

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"Acanthus Leaves: A Timeless Symbol of Elegance and Artistry" Step into the enchanting world of acanthus leaves, where beauty and grace intertwine with history. From the grand staircase at Cassiobury Park in Hertfordshire, England's Lost Houses by Giles Worsley takes us on a journey through time. The intricate details of these leaves adorn the staircase, showcasing their timeless allure. In Attis leaning back against a column from the Hellenistic period, we witness how they were revered even in ancient times. This bronze sculpture captures the essence of strength and tranquility as Attis finds solace against this symbol of nature's splendor. The artistry continues to flourish in Aubrey Beardsley's Initial Letter V (Column) to Volpone. Here, acanthus leaves take center stage as they embellish a letterform with their delicate curves and patterns. Beardsley's attention to detail showcases his admiration for this iconic motif. Moving forward in time, we encounter Chantilly Porcelain Manufactory's Potpourri Vase from 1745. The porcelain masterpiece is adorned with meticulously crafted acanthus leaves that exude elegance and refinement—a testament to the enduring appeal of this botanical marvel. A glimpse into textile design reveals an exquisite panel from England dating back to 1895/1900. Delicately woven acanthus leaves create a tapestry that brings nature indoors while adding sophistication to any space. The allure extends beyond decorative arts; it permeates functional objects like Baldwin Gardiner's pitcher from 1827/48 and John B. Jones & Company's pitcher from 1833. These vessels showcase how they are elevate everyday items into works of art—blending utility with aesthetic pleasure. Cornelius Kierstede's Two-Handled Covered Cup transports us back to 1698/1720, where acanthus leaves symbolize opulence and refinement.