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Glass Place Mat : Front Cover of The House of Sin, 1897 (litho)
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Front Cover of The House of Sin, 1897 (litho)
DGC288107 Front Cover of The House of Sin, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. ); Prismatic Pictures
Media ID 24725684
© Prismatic Pictures / Bridgeman Images
Aesthetic Movement Bold Contrast Contrasting Cover Dark Front Cover Grotesque Grotesques Monochromatic Monochrome Poster Style Silhouette Snout Social Satire Stark Stylistic Swags Zoomorphic
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 17.3cm x 25.4cm (6.8" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This lithograph, titled "Front Cover of The House of Sin, 1897" transports viewers to the intriguing world of Aubrey Beardsley's artistic imagination. Created by the English illustrator and author during the late 19th century, this print showcases Beardsley's unique style influenced by Japanese woodcuts. In this monochromatic illustration, Beardsley skillfully combines elements of grotesque, decadence, and eroticism. The female figure depicted on the front cover exudes an air of mystery with her contrasting black silhouette against a stark white background. Her profile is adorned with swags and zoomorphic features that add a touch of surrealism to the composition. Beardsley's bold use of ink creates striking contrasts and emphasizes every intricate detail in his drawings. This particular artwork stands as a testament to his mastery in capturing social satire through aesthetic movement. The inclusion of a pig on the cover adds another layer to its meaning - symbolizing sin or moral corruption within "The House of Sin". Through this satirical portrayal, Beardsley challenges societal norms and conventions while inviting viewers into a world where boundaries are pushed. As we gaze upon this stylistic masterpiece from over a century ago, we can't help but be captivated by its timeless allure. It serves as a reminder that art has the power not only to entertain but also to provoke thought and challenge our perceptions.
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