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Glass Frame : Omnibus I, 1895 or 1892, by Anders Zorn
Mounted Prints from Mary Evans Picture Library
Omnibus I, 1895 or 1892, by Anders Zorn
Anders Zorn (1860-1920). Swedish painter. Omnibus I, 1895 or 1892. National Museum. Stockholm. Sweden
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14407368
© Thaliastock / Mary Evans
1892 Anders Daily Electric Electrical Meditative Modernity Zorn 1895
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Anders Zorn's captivating painting, Omnibus I, transports us back to the late 19th century, specifically to the streets of Europe. The year of its creation is a subject of debate, with some sources attributing it to 1892, while others to 1895. Regardless, this masterpiece remains a testament to Zorn's exceptional talent and his ability to capture the essence of contemporary life. The scene unfolds inside an omnibus, a popular mode of transportation during that era. A group of men, dressed in fashionable attire of the time, are seen engrossed in their own thoughts. The man in the foreground, wearing a black cap and a contemplative expression, adds a meditative tone to the painting. The contrast between the dark interior of the bus and the brightly lit exterior creates a striking visual effect. The presence of an electric light in the painting signifies the onset of modernity, as the world was gradually transitioning from gas lamps to electric lighting. The men, dressed in their finest clothes, represent the diverse social classes of the time, adding to the painting's historical significance. Omnibus I offers a glimpse into the daily life of the late 19th century, a time of great change and transformation. Zorn's use of bold colors and dynamic brushstrokes brings the painting to life, making it a must-see for anyone interested in European art and history.
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