Antique Framed Print > Arts > Portraits > Still life artwork > Contemporary art
Antique Framed Print : Omnibus I, 1895 or 1892, by Anders Zorn
Framed Photos from Mary Evans Picture Library
Omnibus I, 1895 or 1892, by Anders Zorn
Anders Zorn (1860-1920). Swedish painter. Omnibus I, 1895 or 1892. National Museum. Stockholm. Sweden
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14407368
© Thaliastock / Mary Evans
1892 Anders Daily Electric Electrical Meditative Modernity Zorn 1895
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.7cm x 37.1cm (9.7" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Anders Zorn's captivating painting, Omnibus I, transports us back to the late 19th century, specifically to the streets of Europe. The year of its creation is a subject of debate, with some sources attributing it to 1892, while others to 1895. Regardless, this masterpiece remains a testament to Zorn's exceptional talent and his ability to capture the essence of contemporary life. The scene unfolds inside an omnibus, a popular mode of transportation during that era. A group of men, dressed in fashionable attire of the time, are seen engrossed in their own thoughts. The man in the foreground, wearing a black cap and a contemplative expression, adds a meditative tone to the painting. The contrast between the dark interior of the bus and the brightly lit exterior creates a striking visual effect. The presence of an electric light in the painting signifies the onset of modernity, as the world was gradually transitioning from gas lamps to electric lighting. The men, dressed in their finest clothes, represent the diverse social classes of the time, adding to the painting's historical significance. Omnibus I offers a glimpse into the daily life of the late 19th century, a time of great change and transformation. Zorn's use of bold colors and dynamic brushstrokes brings the painting to life, making it a must-see for anyone interested in European art and history.
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