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Glass Frame : Card and Backgammon. Fight over Cards, 1620-1630, by Theodoo
Mounted Prints from Mary Evans Picture Library
Card and Backgammon. Fight over Cards, 1620-1630, by Theodoo
Theodoor Rombouts (1597-1637). Flemish painter. Cards and Backgammon. Fight over Cards. 1620-1630. National Museum of Denmark. Copenhagen. Denmark
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14328037
© Thaliastock / Mary Evans
1620 1630 Angry Annoyance Attack Attacking Backgammon Baroque Blow Chiaroscuro Copenhagen Darkness Deadly Denmark Dispute Drama Dramatic Earring Fight Flemish Fright Frightened Hold Irritated Irritation Knife Moralising Pearl Exasperated Exasperation
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This striking Baroque painting, titled "Fight over Cards," by Flemish artist Theodoo (Theodoor Rombouts), captures the intensity and drama of a heated dispute between two men over a card game. Painted between 1620 and 1630, the work depicts a group of men gathered around a table, engrossed in a game of cards and backgammon. The tension in the room is palpable as one man, with an exasperated expression and an earring dangling from his ear, reaches out to grab another man's hand, holding a card. The attacker's opponent, frightened and irritated, attempts to defend himself, brandishing a knife. The contrasting chiaroscuro technique used by Rombouts highlights the dramatic moment, with the figures illuminated by the light from the window, while the interior of the room is shrouded in darkness. The moralizing tone of the painting underscores the destructive nature of anger and annoyance, even during leisurely pursuits. This powerful work of art is now on display at the National Museum of Denmark in Copenhagen, offering a glimpse into the past and the complex emotions that have long driven human interaction.
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