Glass Frame > Arts > Artists > M > Carlo Maratti
Glass Frame : Marriage St Catherine Etching first second state
Mounted Prints from Liszt Collection
Marriage St Catherine Etching first second state
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14074850
© Copyrighted
1625 1713 Camerano Carlo Maratti Catherine Marriage Second State
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite artwork titled "Marriage St Catherine Etching first second state" by Carlo Maratti, an esteemed Italian artist from the 17th century. The image captures a moment of profound significance as it depicts the sacred union of St. Catherine, a revered Christian martyr, with her heavenly groom. The etching is presented in its second state, revealing subtle variations and enhancements made by Maratti himself. With meticulous attention to detail and masterful technique, he brings this religious scene to life on a sheet measuring 11 x 7 1/2 inches (28 x 19 cm). The print emanates an aura of serenity and spirituality that transports viewers back in time to witness this holy matrimony. Carlo Maratti's artistic prowess shines through every stroke in this remarkable piece. His ability to convey emotion and narrative through his work is truly awe-inspiring. As one gazes upon this print, they are transported into the heart of Rome during the Baroque period when Maratti was at the height of his career. This print from Liszt Collection serves as a testament to both Maratti's genius and the enduring power of art itself. It allows us to appreciate his contribution to Italian art history while also providing a glimpse into the beauty and symbolism embedded within religious iconography.
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