1625 1713 Collection

Vision of St. Philip Neri, c. 1673-75. Creator: Carlo Maratti (Italian, 1625-1713)
Vision of St. Philip Neri, c. 1673-75

Virgin and Child with the Infant St. John, 1647. Creator: Carlo Maratti (Italian, 1625-1713)
Virgin and Child with the Infant St. John, 1647

Portrait of Francesca Gommi Maratti, c. 1701. Creator: Carlo Maratti (Italian, 1625-1713)
Portrait of Francesca Gommi Maratti, c. 1701. In 1700 Carlo Marattis wife died, permitting him to marry his long-time mistress, Francesca Gommi

Madonna and Child with the Magdalen. Creator: Carlo Maratti (Italian, 1625-1713)
Madonna and Child with the Magdalen

Heliodoro tribuno dell erario del re Antioco essendo entrato nel tempio di Gerusalem, Maratti, Carlo, 1625-1713, Raphael, 1483-1520, Etching, engraving, black-and-white, after 1681

Madonna Child Magdalen Carlo Maratti Italian
Madonna and Child with the Magdalen. Carlo Maratti (Italian, 1625-1713). Etching

Virgin Child Saints 1720-1730 Robert van Audenaerd
Virgin and Child with Saints, c. 1720-1730. Robert van Audenaerd (Dutch, 1663-1743), after Carlo Maratti (Italian, 1625-1713)

Virgin Child Infant St. John 1647 Carlo Maratti
Virgin and Child with the Infant St. John, 1647. Carlo Maratti (Italian, 1625-1713). Etching

Adoration Angels Etching second state three Bartsch
Artokoloro

Martyrdom St Andrew Etching second state five
Artokoloro

Bacchus child given Mercury care Nymphs Engraving
Artokoloro

Flight Egypt Etching sheet 14 3 / 8 x 15 3 / 8 36. 5 39 cm
Artokoloro

Diana Nymphs January 1 1783 Red stipple engraving
Artokoloro

Wheat & Chaff 1728 Engraving sheet 10 1 / 8 x 16 5 / 8
Artokoloro

Death St Joseph Etching sheet 9 1 / 4 x 8 1 / 4 23. 5 21 cm
Artokoloro

Adoration Magi Etching second state two Bellini
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Assumption Virgin Etching second state three
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Marriage St Catherine Etching first second state
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Annunciation Etching second state two Bartsch
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Adoration Magi copy reverse Etching reverse copy
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Marriage St Catherine Etching second state five
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Adoration Magi Etching second state two Bartsch
Artokoloro

Acis Galatea 1708 Red chalk Sheet 6 1 / 8 x 8 15. 5 20. 3 cm
Artokoloro

Triumph Galatea Engraving sheet 7 5 / 16 x 8 3 / 8
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Annunciation Etching second state two sheet 15 3 / 8 x 9 13 / 16
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Visitation Etching second state two Bartsch sheet
Artokoloro

Vintage scene 1704 Engraving plate 9 3 / 4 x 16 1 / 8
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Miracle Naim 1786 Etching aquatint sheet 17 11 / 16 x 21 13 / 16
Artokoloro

Mater Dolorum 1701 Engraving etching sheet 21 1 / 4 x 15 5 / 8
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Virgin Child St Mary Magdalen Etching second state
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Joshua commanding sun stand Etching sheet 19 1 / 8 x 13 7 / 8
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Assumption Virgin Etching first state three Bartsch
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Miracle Naim 1786 Etching aquatint sheet 15 3 / 16 x 11 7 / 8
Artokoloro

Birth Virgin Etching second state two Bartsch
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Diana Bath Etching engraving sheet 15 5 / 8 x 18 1 / 8
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Dancing Figure Etching sheet 16 1 / 8 x 21 3 / 4
Artokoloro

Leaf Aedes Walpolianae mounted print drawing
Artokoloro

Venus Cupid 1 1779 Engraving sheet 8 7 / 8 x 10 5 / 16
Artokoloro

Rebecca Well Engraving etching sheet 21 5 / 8 x 15 15 / 16
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Reapers grain 1704 Engraving sheet 13 11 / 16 x 20 3 / 8
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Vintage scene 1704 Engraving sheet 15 3 / 4 x 20 1 / 2
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St Francis Etching engraving sheet 17 13 / 16 x 10 1 / 16
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David Head Goliath Etching sheet 19 5 / 16 x 13 7 / 8
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Rebecca Eliezer Etching sheet 19 5 / 16 x 13 3 / 4
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Tuccia 1720 Engraving sheet 13 3 / 16 x 15 15 / 16
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Virgin Child Young St John Baptist 1647 Etching
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Seated Virgin Child Saint John Baptist book rests under
Artokoloro

St Vincent Ferrer Etching sheet 8 1 / 4 x 5 13 / 16
Artokoloro

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"1625-1713: A Glimpse into the Artistic Legacy of Carlo Maratti" Step back in time and immerse yourself in the captivating world of Carlo Maratti, an Italian artist who left an indelible mark on the art scene from 1625 to 1713. Known for his exquisite craftsmanship and attention to detail, Maratti's works continue to mesmerize art enthusiasts even centuries later. One such masterpiece is "Vision of St. Philip Neri, " created between 1673 and 1675. In this painting, Maratti skillfully captures the spiritual essence of St. Philip Neri, transporting viewers into a realm where faith intertwines with divine inspiration. Another notable piece by Maratti is "Virgin and Child with the Infant St. John, " painted in 1647. This enchanting portrayal depicts Mary tenderly cradling baby Jesus while little St. John gazes adoringly at them—a poignant representation of maternal love and innocence. Maratti's talent extends beyond religious subjects as seen in his portrait titled "Francesca Gommi Maratti. " Painted around 1701, this artwork showcases his ability to capture not only physical likeness but also inner emotions, revealing Francesca's personality through delicate brushstrokes. In "Madonna and Child with the Magdalen, " we witness yet another example of Maratti's artistic prowess. The harmonious composition exudes serenity as Mary holds baby Jesus while being accompanied by Mary Magdalene—a testament to compassion and redemption beautifully rendered on canvas. Beyond paintings, Maratti ventured into etchings—an intricate medium that allowed him to explore various themes further. His etching series includes awe-inspiring pieces like "Adoration Angels" depicting celestial beings paying homage to divinity; or "Martyrdom St Andrew, " capturing a momentous event infused with drama and intensity. Not limited solely to religious subjects, Maratti's engravings also delve into mythological realms.