Glass Frame : Group naked men engaged battle wooded landscape
Mounted Prints from Liszt Collection
Group naked men engaged battle wooded landscape
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14012706
© Copyrighted
1452 1519 1485 90 1576 15 16 1500 1564 1500–1564 1513 1517 227 Cm 8 3 4 Amboise Battle Battle Scene Commissioned Doge Domenico Domenico Campagnola Group Hind Horseback Lower Left Model Padua Palace Pieve Di Cadore Ca Possibly Titian Tiziano Vecellio Trimmed Venice Vinci Wooded Landscape Anghiari
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection transports us back to a tumultuous battle scene in 16th century Italy. In this engraving by Domenico Campagnola, we witness a group of naked men engaged in fierce combat amidst a dense wooded landscape. Mounted on horseback and accompanied by their loyal canine companion, these warriors display both strength and vulnerability as they clash with one another. The composition is masterfully executed, showcasing Campagnola's skillful hand in capturing the intensity of the moment. The lower left corner of the print features an intricate depiction of a dog, adding an intriguing element to the overall narrative. Dating back to 1517, this artwork is believed to be inspired by a design created by none other than Titian himself. It is thought that Titian may have drawn inspiration from Leonardo da Vinci's preparatory drawings for his renowned Battle of Anghiari fresco. Commissioned for display at the Doge Palace in Venice in 1513, this piece reflects both Titian's artistic vision and his close association with Venetian nobility during that time period. As we admire this remarkable print, we are reminded not only of its historical significance but also of the enduring power art holds over centuries.
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