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Glass Frame : Christ Ecce homo oil panel 41 x 29 cm marked

Christ Ecce homo oil panel 41 x 29 cm marked



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Liszt Collection

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Christ Ecce homo oil panel 41 x 29 cm marked

Christ as Ecce homo, oil on panel, 41 x 29 cm, not marked, Tiberius Dominikus Wocher, (?), Mimmenhausen bei Salem 1728-1799 Reute (heute Ortsteil von Bad Waldsee, Landkreis Ravensburg)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19590483

© Artokoloro

Ecce Homo Marked Tiberius Dominikus Wocher


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases a remarkable artwork titled "Christ Ecce homo". Painted with oil on panel, the piece measures 41 x 29 cm and is attributed to Tiberius Dominikus Wocher. The artist's origins can be traced back to Mimmenhausen bei Salem, where he was born in 1728 and later settled in Reute. Presently, Reute is a district of Bad Waldsee located in the Landkreis Ravensburg region. The painting depicts Christ as Ecce homo, emphasizing his suffering during the Passion of Christ. With intricate brushstrokes and delicate details, Wocher skillfully captures the profound emotions conveyed by Jesus' tormented expression. Although not marked by any specific signature or inscription, this artwork undoubtedly bears the distinctive style and technique associated with Tiberius Dominikus Wocher. His contribution to religious art during the late 18th century remains highly regarded today. As part of the Liszt Collection, this print serves as a testament to both artistic mastery and historical significance. It allows viewers to appreciate Wocher's talent while preserving an important piece of cultural heritage for generations to come

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