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Ecce Homo Collection

"Ecce Homo: A Glimpse into the Divine and Human Suffering" Step into the world of religious art as we explore the captivating theme of "Ecce Homo

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Ecce Homo Collection: Christ with the crown of thorns, First Half of 16th cen
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Ecce Homo Collection: The Man of Sorrows Blessing, 1480-1490. Artist: Memling, Hans (1433 / 40-1494)
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Ecce Homo Collection: The Flagellation of Christ, 1538. Artist: Cranach, Lucas, the Elder (1472-1553)
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Ecce Homo Collection: Jesus Christ crowned with thorns - Bible, New Testament, 19th century (print)
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Ecce Homo Collection: Ecce Homo, painting by Murillo. Pinacoteca, Vatican, Rome
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Ecce Homo Collection: Ecce Homo and Crucifige. Two chiaroscuro drawings by an artist of the School of Rogier Van Der
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Ecce Homo Collection: Ecce Homo, work by Matteo Civitali, Bargello National Museum
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Ecce Homo Collection: Ecce Homo, one of the six bas-reliefs depicting the mysteries of the Passion, by Giambologna
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Ecce Homo Collection: Christ showed to the people, tapestry, Gasparre Panini, designed by Alessandro Allori (1535-1607)
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Ecce Homo Collection: The Flagellation of Christ, 1617. Creator: Rubens, Pieter Paul (1577-1640)
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Ecce Homo Collection: Hamburger Kunsthalle, Hamburg, Germany
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Ecce Homo Collection: Ecce Homo. 1st half 16th century (oil on wood)
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Ecce Homo Collection: Ecce Homo, first half of the 16th century (oil on panel)
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Ecce Homo Collection: Ecce Homo, 1519 (fresco)
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Ecce Homo Collection: Ecce Homo, 1519 (fresco)
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Ecce Homo Collection: Interior of Red Clouds House, 1891 (b / w photo)
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Ecce Homo Collection: Ecce homo
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Ecce Homo Collection: The Temptation of Saint Anthony. Triptych, reverse: The Capture of Christ, 1500-1501
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Ecce Homo Collection: Christ Presented to the People, 1475 / 85. Creator: Unknown
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Ecce Homo Collection: Ecce Homo with three angels, 1634-86. Creator: Gilles Rousselet
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Ecce Homo Collection: Ecce Homo, 1720-62. Creator: Francois Joullain
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Ecce Homo Collection: Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left
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Ecce Homo Collection: Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain
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Ecce Homo Collection: Ecce Homo, (oil on panel)
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Ecce Homo Collection: Ecce Homo
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Ecce Homo Collection: Jerusalem, Chapel of the Ecce Homo (b / w photo)
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Ecce Homo Collection: Christ before Pilate, in the historiated initial L, c. 1403-05 (vellum and gold)
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Ecce Homo Collection: Ecce Homo, late 16th-early 17th century (boxwood)
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Ecce Homo Collection: Ecce Homo
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Ecce Homo Collection: Ecce Homo Arch, Jerusalem, c. 1880 s
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Ecce Homo Collection: Bible
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Ecce Homo Collection: Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)
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Ecce Homo Collection: Ecce Homo
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Ecce Homo Collection: Ecce Homo
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Ecce Homo Collection: Ecce Homo (engraving)
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Ecce Homo Collection: Ecce Homo (engraving)
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Ecce Homo Collection: Ecce Homo
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Ecce Homo Collection: Choir gate, 1518 (gilt metal)
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Ecce Homo Collection: Crown of Thorns (oil on canvas)
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Ecce Homo Collection: Ecce Homo, 1512 (Burin engraving on copper)
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Ecce Homo Collection: Marketplace, with the Flagellation, the Ecce Homo and the Bearing of the Cross in


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"Ecce Homo: A Glimpse into the Divine and Human Suffering" Step into the world of religious art as we explore the captivating theme of "Ecce Homo, " a Latin phrase meaning "Behold the Man. " This powerful depiction of Christ's suffering has been portrayed by various artists throughout history, each offering their unique interpretation. In 1538, Lucas Cranach, the Elder, created "The Flagellation of Christ, " showcasing his mastery in capturing emotion through brushstrokes. The torment inflicted upon Jesus is palpable, evoking empathy from viewers. Fast forward to 1617 when Pieter Paul Rubens painted another rendition titled "The Flagellation of Christ. " His vibrant colors and dynamic composition breathe life into this biblical scene, leaving an indelible mark on art enthusiasts. One cannot discuss Ecce Homo without mentioning Hamburg's Hamburger Kunsthalle. In their collection lies an exquisite piece from the first half of the 16th century—a haunting portrayal rendered with oil on wood. Its unknown artist skillfully conveys both vulnerability and strength in Christ's face. Moving further back in time to 1519, two frescoes bearing the same title were created. These works capture not only physical suffering but also spiritual anguish—reminding us that Jesus' sacrifice transcends mere human comprehension. Even photography pays homage to Ecce Homo; a black-and-white photo taken in 1891 showcases its enduring influence within Red Clouds House's interior—an eternal reminder of humanity's connection to divinity. Beyond depicting Christ alone, some artworks incorporate additional elements. For instance, a triptych by an anonymous artist portrays "The Temptation of Saint Anthony" alongside "The Capture of Christ, " emphasizing how temptation intertwines with suffering throughout our lives. Another notable representation features three angels surrounding Ecce Homo—a testament to Gilles Rousselet's artistic prowess in merging heavenly beings with earthly struggles during the 17th century.