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Glass Frame : Post Modern Homebase DP103888
Mounted Prints from Historic England
Post Modern Homebase DP103888
Homebase, 195 Warwick Road, London W14. Ian Pollard enjoyed a brief career as an architect and developer, making full use of wit and irony in his Egyptianate Homebase in Kensington (1988-90), which was demolished in 2014. Detail of architecture, with CCTV and light fittings
Historic England is the public body that champions and protects England's historic places
Media ID 18116577
© Historic England Archive
Architecture Detail Egyptian Post Modern Post War
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Ian Pollard's remarkable architectural creation, the Post Modern Homebase DP103888. Situated at 195 Warwick Road in London's prestigious Kensington area, this Egyptianate masterpiece stood as a testament to Pollard's unique vision and his ability to infuse wit and irony into his designs. Sadly, this iconic structure met its untimely demise in 2014 when it was demolished. In this detailed shot, we are treated to an up-close view of the architecture that made Homebase DP103888 so distinctive. The intricate detailing showcases elements inspired by ancient Egypt, with ornate motifs adorning every corner. As our eyes wander across the image, we notice the presence of CCTV cameras strategically placed throughout the building - a nod to modern surveillance culture. The carefully chosen light fittings add another layer of intrigue to this composition. Their placement seems deliberate yet whimsical, perfectly complementing the overall aesthetic while simultaneously challenging traditional notions of design. Nigel Corrie skillfully captures all these elements in his photograph, allowing us to appreciate both the grandeur and subtleties of Pollard's creation. This image serves as a poignant reminder of how even groundbreaking works can be lost over time but immortalized through artistry such as Corrie's lens.
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