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Glass Frame : People of the Shilluk (Chollo), Sudan, Africa, 1936. Artist: Major R Whitbread
Mounted Prints from Heritage Images
People of the Shilluk (Chollo), Sudan, Africa, 1936. Artist: Major R Whitbread
People of the Shilluk (Chollo), Sudan, Africa, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)
Heritage Images features heritage image collections
Media ID 14936734
© The Print Collector / Heritage-Images
Harold Harold Wheeler Laughing Laughter Nile Peoples Of The World In Pictures River Nile Staff Sudan Sudanese The Nile Tribe Tribespeople Wheeler Whitbread
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "People of the Shilluk (Chollo), Sudan, Africa, 1936" transports us back to a time when exploration and cultural documentation were at their peak. Taken by Major R Whitbread and featured in the book "Peoples of the World in Pictures" edited by Harold Wheeler, this image offers a glimpse into the lives of indigenous tribespeople along the River Nile. In this particular scene, we see a group of men and women from the Shilluk tribe standing near the riverbank. The women are depicted holding staffs while laughing joyfully, showcasing their vibrant spirit amidst everyday life. The monochrome aesthetic adds an air of nostalgia to this powerful portrayal. The photograph not only captures individual expressions but also conveys a sense of unity within this close-knit community. It serves as a reminder that despite geographical distances or cultural differences, laughter is universal and can bridge gaps between people from all walks of life. Major R Whitbread's lens allows us to witness these remarkable individuals in their natural environment during an era when Africa was still largely unexplored by outsiders. Through his artistry and Harold Wheeler's curation, we gain insight into both the beauty and diversity found on this vast continent. As we admire this historical artifact today, let us appreciate its significance as both an artistic creation and a valuable record of African heritage.
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