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Glass Frame : Lying-in Room of a Distinguished Turkish Woman, c.1720-c.1737. Creator: Jean Baptiste Vanmour
Mounted Prints from Heritage Images
Lying-in Room of a Distinguished Turkish Woman, c.1720-c.1737. Creator: Jean Baptiste Vanmour
Lying-in Room of a Distinguished Turkish Woman, c.1720-c.1737
Heritage Images features heritage image collections
Media ID 36336905
© Heritage Art/Heritage Images
1710s 1720s 1730s Affluence Class Courtier Fine Art Jean Baptiste Van Mour Jean Baptiste Vanmour Ladies In Waiting Lady In Waiting Levant Levantine Mohammedan Moslem Moslems Muslim Muslims Orientalism Orientalist Ottoman Empire Pregnancy Social Class Tulip Era Van Mour Jean Baptiste Vanmour Jean Baptiste Wealth Wealthy
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This exquisite oil painting by Jean Baptiste Vanmour, titled "Lying-in Room of a Distinguished Turkish Woman," dates back to the 1720s-1730s, offering a captivating glimpse into the opulent world of the Ottoman Empire during the Tulip Era. Set within a richly decorated interior, the image showcases a pregnant Turkish woman, reclining on a sumptuous bed adorned with intricate gold embroidery and velvet fabrics. Surrounded by her ladies-in-waiting, the woman is the epitome of affluence and elegance, dressed in vibrant, colorful garments that reflect the unique blend of Middle Eastern and European influences prevalent during this period. The painting's warm, inviting color palette and meticulous attention to detail evoke a sense of tranquility and comfort, as the women engage in various activities, such as embroidery, playing musical instruments, and engaging in conversation. The room itself is a testament to the wealth and sophistication of the Ottoman court, with its ornate furnishings, delicate tiled walls, and ornamental lanterns. Jean Baptiste Vanmour, a Dutch artist who spent a significant portion of his career in the Levant, expertly captures the essence of this distinctive culture, merging European artistic techniques with the rich traditions of the Islamic world. The result is a stunning work of art that transports us to a bygone era, offering a fascinating glimpse into the lives of the wealthy and distinguished women of the Ottoman Empire.
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